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- 20th Anniversary of the release of AFI's Platinum-certified 6th album.

- Only 20,000 copies were pressed on vinyl originally and demand for the title is extremely high and going for a lot of money online.

- One-Time-Pressing for this ThinkIndie Exclusive Edition.

Originally released on April 1, 2003, Elephant is The White Stripes critically acclaimed fourth studio album. The 14 track album peaked at #6 on the US Billboard chart and earned a nomination for Album of the Year and a win for Best Alternative Music Album at the 46th Grammy Awards in 2004.  The album includes stand out tracks “Seven Nation Army,” “The Hardest Button To Button,” and “Ball and Biscuit”.  The 20th Anniversary 2LP vinyl is a red smoke & clear with red & black smoke color mix along with an alternative cover design.

One of the most iconic and influential albums ever, Pink Floyd’s The Dark Side Of The Moon celebrates its 50th Anniversary.

The album was partly developed during live performances, and the band premiered an early version of the suite at London’s Rainbow Theatre several months before recording began. ‘The Dark Side Of The Moon’ is the eighth studio album by Pink Floyd, originally released in March 1973.  The new material was recorded in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London. The iconic sleeve, which depicts a prism spectrum, was designed by Storm Thorgerson of Hipgnosis and drawn by George Hardie. ‘The Dark Side Of The Moon’ has sold over 50 million copies worldwide.

The new deluxe box set includes CD and gatefold vinyl of the newly remastered studio album and Blu-Ray + DVD audio featuring the original 5.1 mix and remastered stereo versions.  The set also includes additional new Blu-ray disc of Atmos mix plus CD and LP of ‘The Dark Side Of The Moon - Live At Wembley Empire Pool, London, 1974’.

Fall Out Boy's new album, “So Much (For) Stardust”

Dirt, the critically acclaimed and 5x Platinum certified, studio album from Alice In Chains is celebrating its 30th anniversary.  The album, which features some of the band's biggest hits including "Them Bones," "Would?," and "Rooster," is now available on vinyl for the first time as a 2-LP with remastered audio. 

Perseverance carries us through the most turbulent, traumatic, and trying of times. When all hope seems lost, it shines a light from the inside that’s impossible to extinguish, no matter how hard even the darkest forces try. That light also burns bright at the heart of Gogol Bordello. Since 1999, the band have consistently riled up audiences with an inimitable patchwork of punk, gypsy, dub, folk, Latin swing, and Eastern European magic.

However, the New York-based collective trumpet the spirit of survival louder than ever on their eighth full-length album, SOLIDARITNE. Ukrainian-born band leader Eugene Hutz and Co. linked up with New York underground icon Walter Schreifels [Gorilla Biscuits, Rival Schools, Quicksand] to co-produce the album.  Meanwhile, H.R. of Bad Brains guested on “Era of the End of Eras,” blessing the track with a cameo punctuated by a key moment from the Bad Brains anthem “Sailin’ On.” The band also recorded a new version single “Forces of Victory” [feat. Serhiy Zhadan & Kazka]. Dizzying acoustic guitar and violin charge forward at lightspeed before crashing into an uplifting verse kickstarted by fits of electric guitar. The accompanying video juxtaposes footage of the band with real-life scenes of citizens and soldiers in the midst of war in Ukraine shot by a Gogol Bordello crew member.

In the end, Gogol Bordello rally everyone together on SOLIDARITNE.

Did you know that there's a tunnel under Ocean Blvd is the ninth studio album from acclaimed singer-songwriter Lana Del Rey, comprising 16 tracks and interludes with features including Father John Misty, Tommy Genesis, Jon Batiste, Bleachers and more. It follows the prolific artist's 2021 albums Chemtrails Over The Country Club and Blue Banisters.

On November 22nd, 1981, in the middle of their mammoth American tour, the Rolling Stones arrived in Chicago prior to playing 3 nights at the Rosemont Horizon. Long influenced by the Chicago blues, the band paid a visit to Buddy Guy’s club the Checkerboard Lounge to see the legendary bluesman perform. It didn’t take long before Mick Jagger, Keith Richards, Ronnie Wood and Ian Stewart were joining in on stage and later Buddy Guy, Junior Wells and Lefty Dizz also played their part.

72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told ‘who we are’ by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is reenactment or reaction to these childhood experiences. Prisoners of childhood or breaking free of those bondages we carry.”

-James Hetfield

Did you know that there's a tunnel under Ocean Blvd is the ninth studio album from acclaimed singer-songwriter Lana Del Rey, comprising 16 tracks and interludes with features including Father John Misty, Tommy Genesis, Jon Batiste, Bleachers and more. It follows the prolific artist's 2021 albums Chemtrails Over The Country Club and Blue Banisters. Limited Edition Indie Exclusive Light Green 180-gram 2 LP with alternate cover art.

‘Cracker Island’ is the eighth studio album from Gorillaz, an energetic, upbeat, genre-expansive collection of 10 tracks featuring yet another stellar line-up of artist collaborators: Thundercat, Tame Impala, Bad Bunny, Stevie Nicks, Adeleye Omotayo, Bootie Brown and Beck. Recorded in London and LA earlier this year, it is produced by Gorillaz, Remi Kabaka jr. and eight-time Grammy Award-winning producer / multi-instrumentalist / songwriter extraordinaire Greg Kurstin. Title track ‘Cracker Island’ kickstarted the new campaign this Summer hitting the charts across the globe with a top 10 video racking up 10M views in 10 days. The virtual band exploded onto TikTok gaining over 2.1 m followers in the space of a few months where they continue to innovate, taking virtual characters where no character has been before…

Less than eighteen months after the release of their debut album New Long Leg, Dry Cleaning return with their sophomore album entitled Stumpwork. With 25M+ streams behind them and over 75K worldwide album sales alongside late night TV in the US and UK and ubiquity across Best of... lists (Rough Trade Album of the Year / Pitchfork Best New Music / Guardian *****), 2021 established the band as one of the biggest breakthrough indie acts of recent years.

This is reflected in the ambition of their new record. For their follow-up, the London four-piece returned to the iconic Rockfield Studios to work once again with producer John Parish. Furious indie-pop anthems combine across the record with psych and prog influences, demonstrating the wealth of influences the band feed off and their deep musicality. Surrealist lyrics are as ever at the forefront, but the new album gives greater opportunity to explore bugged out guitar jams, and immersive journeys touching on krautrock territory.

Paramore are back with their first new music since 2017. The beloved Nashville-based trio of Zac Farro, Hayley Williams& Taylor Yorkhave returned from their hiatus -and the global pandemic -with “This Is Why”, one of the best songs of their already impressive repertoire. In what’s widely recognized as one of the most exciting musical returns of the year, the band have also announced the release of their long awaited sixth studio album, This is Why, for February 10th 2023. Recorded in Los Angeles, California with long-time collaborator Carlos de la Garza, the album features 10 new Paramore songs with cover art shot by Zachary Gray.

Entering back into a world -and cultural landscape -very different from the one they last participated in, Paramore have returned with a song about exactly that. “This Is Why” is a deliciously infectious Paramore ear-worm for the post-truth world. Of the song, Williams says, “This Is Why was the very last song we wrote for the album. To be honest, I was so tired of writing lyrics but Taylor convinced Zac and I both that we should work on this last idea. What came out of it was the title track for the whole album. It summarizes the plethora of ridiculous emotions, the rollercoaster of being alive in 2022, having survived even just the last 3 or 4 years. You’d think after a global pandemic of fucking biblical proportions and the impending doom of a dying planet, that humans would have found it deep within themselves to be kinder or more empathetic or something.”

When Paramore revealed they were recording together in January 2022 the response from music fans around the world was immediate and celebratory. In the time since the Grammy-winning, RIAA-certified multi-Platinum band released their last album, After Laughter-and Hayley Williams unveiled two lauded solo albums -Paramore have become more popular than ever.  Over the last few years Paramore’s influence and popularity has snowballed, as the age of streaming organically propelled them into a position as one of the world’s biggest, most culturally compelling rock bands. For the band, who formed as teenagers in Tennessee, their 20 year trajectory has seen them grow from youthful outsiders to bone-fide pop culture icons, permeating the musical landscape by inspiring a new generation of musical talent.

In These Times is the new album by Chicago-based percussionist, producer and composer Makaya McCraven. This is the album McCraven’s been trying to make since he started making records – and his patience, ambition and persistence have yielded an appropriately career-defining body of work.  With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators – including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill – the music was recorded in 5 different studios and 4 live performance spaces while McCraven engaged in extensive post-production work at home. the 11 song suite was created over 7+ years, as McCraven strived to design a highly personal but broadly communicable fusion of odd-meter compositions from his working songbook with orchestral, large ensemble arrangements and the edit-heavy “organic beat music” that he’s honed over a growing body of production-craft.

Kid Cudi takes you ENTERGALACTIC with his (final?) 10th studio and 8th solo album. The music inspired the new Netflix special while framing the story of two young, ambitious artists falling in love. The multi-hyphenate stars in and serves as the exec producer with Kenya Barris for the critically acclaimed animated event. Features for the 15- track album include castmate Ty Dolla $ign, Don Toliver and 2 Chainz with Steve Aoki and Dot Da Genius credited for the bonus track "Burrows.”

Post Malone’s 4th studio album, Twelve Carat Toothache, is his most intimate and personal opus to date. Throughout the 14 tracks, Post takes us with him on his trials with fame, giving a glimpse into the irony of seemingly having it all, but feeling like nothing all at the same time. In an interview with Billboard, Post explained he wants the new songs to “speak more to how I’m feeling at the moment: the ups and downs and the disarray and the bipolar aspect of being an artist in the mainstream.” Indie Exclusive Lemon Yellow 2 LP.

That’s What Happened 1982-1985: Bootleg Volume 7 is the next installment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis. In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of previous years for subdued arrangements meant to elicit peace and deep reflection. Miles Davis embraced this era, pulling inspiration from FM radio and an upstart music video channel called MTV. He was searching for the next frontier, letting his creativity roam. This music on The Bootleg Series Vol. 7 captures that exploration, and finds Miles beginning to re-emerge in a creative landscape far different than the one he left in 1975. He’s touched every inch of pop culture while keeping true to his iconoclastic vision of jazz as amorphous art that’s supposed to bend and flow and mutate to something else. On The Bootleg Series Vol. 7, we get to play in the rubble of what would become yet another period of unprecedented innovation. Beauty resides in evolution. This double LP collects highlights of Bootleg Volume 7 with over 80 minutes of unreleased studio material from 1982 to 1985 on white vinyl. Side men include a multi-generational who’s who of jazz talent from JJ Johnson, Al Foster and John Scofield to Mike Stern, Marcus Miller and Daryl Jones.

30th Anniversary Edition of the Cure’s best-selling, Grammy-nominated album ‘WISH.’ Newly remastered by Robert Smith and Miles Showell at Abbey Road Studios. Featuring the hit singles “High,” “Friday I’m In Love,” and “A Letter To Elise”

Featuring four instrumentals taken from the 'Wish' sessions, recorded at the Manor Winter 1991. Strictly Limited to 3500 copies worldwide.

Let Go celebrates 20 years as one of the most influential pop punk albums of the early 2000’s. Originally released in June of 2002, Let Go became an instant sensation with hits such as “Complicated,” and “Sk8ter Boi” dominating the charts and airwaves. Certified 7X Platinum, the album has cemented its lasting legacy in the pop punk world and beyond. To commemorate its 20th anniversary, an expanded edition of the original album will be released featuring 6 bonus tracks, including a brand-new recording of “Breakaway” by Avril, reimagined 20 years later.

Anticipated new album from platinum-selling indie greats Death Cab for Cutie coming late this summer!

8x GRAMMY® Award-nominated rock band Death Cab for Cutie return today with “Roman Candles,” the first track off their highly-anticipated tenth studio album Asphalt Meadows. The new track from the indie rock veterans – now in their 25th year as a band – arrives with an official lyric video designed by Juliet Bryant (Justin Vernon, Japanese Breakfast, Laura Jane Grace) – watch here.

As with the forthcoming album in its entirety, “Roman Candles” was produced by GRAMMY® Award-winner John Congleton (St. Vincent, Sharon Van Etten, Wallows).

Of the inspiration for the song, the band shares: “‘Roman Candles’ is about the crippling, existential dread that goes hand in hand with living in a nervous city on a dying planet. And that the only way to be in the moment is to let it all go.” The track was born from co-founder, lead vocalist, and guitarist Benjamin Gibbard’s determination to create something succinct, loud, and strikingly direct. He shares: “The lyrics were cobbled from a couple of different songs dealing with my general sense of anxiety; the feeling that the fabric that weaves a functioning society together was crumbling during the pandemic.”

Record-breaking BRIT and GRAMMY Award nominated, Billboard Award-winning global sensations, Glass Animals, announce the special anniversary collection of their critically acclaimed third album, Dreamland. Dreamland is the album that brought us the global hit, “Heat Waves,” leading to a 5 billion+ global streaming band. Now available on glow-in-the-dark vinyl LP. Limited Edition.

The first-ever authorized and in-depth archive in Blondie’s history, a rarity for a band almost 50 years into their career with 40 million records sold. Against The Odds: 1974-1982 features 124 songs (36 previously unreleased) remastered from the original analog tapes and cut at Abbey Road Studios. Super Deluxe Collector’s Edition presents their first 6 albums expanded to include over 4 dozen demos, alternate versions, and outtakes - plus, a 120-page discography and a 144-page hardback book. 10 LPs/10” LP/7” Single.

"Welcome To My World" is a collection of some of Daniel's most-beloved songs and is now available on vinyl for the very first time. These are the songs that built the legend...a must-have for the legion of devoted Daniel Johnston Fans as well as the perfect introduction for new listeners. The LP includes previously unheard sonic surprises. 

PROCEEDS TO BENEFIT THE UKRAINE HUMANITARIAN RELIEF FUND

Pink Floyd will release two physical versions of their first newly recorded music in over 25 years, ‘Hey Hey Rise Up’. The single, which was initially released digitally in April in support of the people of Ukraine and was #1 in 29 countries, is available on 7” and CD single. Both formats feature a newly reworked version of ‘A Great Day For Freedom’ from the band’s 1994 album, The Division Bell. The track sees David Gilmour and Nick Mason joined by long time Pink Floyd bass player Guy Pratt, with Nitin Sawhney on keyboards and a lead vocal by Andriy Khlyvnyuk of Ukrainian band Boombox. It also has vocal harmonies by Romany and David Gilmour

When the track was first recorded at the end of March, Andriy, who left his band’s US tour to return home and fight for his country, was in a hospital bed in Kyiv recovering from a shrapnel injury. Proceeds for the physical release and the ongoing digital proceeds will go to Ukraine humanitarian relief.

For this limited edition release, David Gilmour revisited The Division Bell track ‘A Great Day For Freedom’. He has reworked the song using the original tapes which, as well as David, feature Nick Mason on drums and Richard Wright on keyboards, along with backing vocals from Sam Brown, Claudia Fontaine and Durga McBroom. The artwork for the track ‘The Sunflower Look’ features a painting of the national flower of Ukraine with a twist by the Cuban artist Yosan Leon. The cover is a direct reference to the woman who was seen around the world giving sunflower seeds to Russian soldiers and telling them to carry them in their pockets, so that when they die sunflowers will grow.

The best music reflects a wide-screen view of the world back at us, helping distill the universal into something far more personal. Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock that does exactly that, which is one of many reasons why the group’s new album, Wilderness of Mirrors, feels so aptly named.

Indeed, in the five years since the release of the band’s prior album, Death Song, and the two-plus years spent working on Wilderness of Mirrors, pandemics, political tumult and the ongoing devastation of the environment have provided ample fodder for the Black Angels’ signature sonic approach. If the group’s members were terrified as they honed new music heading into an election year, they realized they didn’t even know how scary things could still get.

So, they looked inward, focusing on both their ongoing creative and musical development as well as their own struggles amid the external chaos. Wilderness of Mirrors hits even more close to home, as the group recorded solely in the friendly confines of Austin for the first time in more than a decade and entrusted co-production duties to its longtime front-of-house engineer, Brett Orrison.

Theatre Of Pain -Mötley Crüe - Theatre of Pain isMötley Crüe's third studio album originally released in 1985. Released in the aftermath of lead vocalist Vince Neil's arrest for manslaughter on a drunk driving charge, the album marked the beginning of the band's transition away from the traditional heavy metal sound of Too Fast for Love and Shout at the Devil, towards a more glam metal style. Theatre of Pain contains the hit singles "Smokin' in the Boys Room" and the power ballad "Home Sweet Home". The album was certified quadruple platinum by the RIAA in 1995.

Entering Heaven Alive is the fifth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, and released by Third Man Records.

Bob Marley with the Chineke! Orchestra reimagines some of Bob Marley’s most recognized and listened to songs with contemporary classical orchestration. The Chineke! Orchestra provides opportunities to a diverse range of up-and-coming and internationally respected classical musicians.

GRAMMY® Award- nominated artist/producer/songwriter Maggie Rogers new album, Surrender, will be released via Capitol Records on July 29. Co-produced Kid Harpoon (Florence + the Machine, Harry Styles) and Rogers, Surrender is the follow-up to Heard It in a Past Life,Rogers’ massively beloved 2019 debut album, which entered Billboard’s Top Album Sales chart at No. 1 and debuted at No. 2 on the Billboard 200. Praised by the likes of NPR, The New York Times, Rolling Stone, Pitchfork, TIME Magazine, and many others, Heard It in a Past Life landed Rogers a nomination for Best New Artist and went on to amass over one billion combined global streams.

The eponymous solo albums written, performed, and produced by Paul McCartney from 1970, 1980, and 2020. Includes 3 LPs on 180-gram audiophile vinyl with 3 limited edition photo prints and an introduction from Paul housed in a beautiful slipcase box.

After three studio albums and over a decade deep into the music game, THE INTERRUPTERS deliver their new album, In The Wild. This 14-track opus is the real deal; it’s a story of survival, a story of resilience, by a band being bold and rejecting the easy impulses of simply repeating what’s worked before. Together during lockdown, Aimee Interrupter, partner and guitarist Kevin Bivona, and his younger twin brothers, Jesse (drums) and Justin (bass), decided to put idle hands to work. After building a home studio in their garage together, Kevin stepped up and took charge of production duties to become “the accountable one” this time around. The record took shape in an unforced and organic fashion, and the recording process was evidently a fun one, which is reflected in the sound of the album, gliding across a spectrum of breathless punk rock, doo-wop, gospel, dancehall, and the band’s customary nods to the lineage of two-tone. It’s further evidenced in the uplifting spirit and the glittering rollcall of guests (Tim Armstrong, Rhoda Dakar, Hepcat, The Skints) involved too. Thanks to the cocoon of the intimate environment they’d built and relaxed working practices, the results made for the most personal Interrupters album to date, as well as being the one all four feel most connected to.

The follow-up to their 2018 breakthrough album, Fight The Good Fight, which spawned multiple singles including “She’s Kerosene”, with over 50 Million streams to date. This smash-hit sent the band to the top of the radio charts and across the globe, playing live with everyone from Dropkick Murphys to Green Day. It was Spring 2020 as they were headed out on an 8-week Hella Mega stadium tour in support of Green Day, Weezer, and Fall Out Boy, when like the rest of the world, the band’s plans went kaput. The forced time at home gave them a period of much-needed rest, followed by an injection of creative energy that led the band to write over 80 songs, curate a live album and documentary film about their lives and their first trip to Japan. THE INTERRUPTERS will be back on the road starting this Spring, co- heading with Flogging Molly and touring through the remainder of 2022 and beyond.

VIVA LAS VENGEANCE shows a change in process for frontman/songwriter Brendon Urie, having cut everything live to tape in Los Angeles alongside his friends and production partners, Jake Sinclair and Mike Viola. The cinematic musical journey is about the fine line between taking advantage of your youth, seizing the day and burning out. The songs take an introspective look into his relationship with his decade plus career including growing up in Las Vegas, love, and fame.

Stephen Marley is one of the most respected artists in reggae and pop, with eight GRAMMY® Awards from his career as a solo artist, as a producer and as a member of his family band, Ziggy Marley & The Melody Makers.

His brand-new album, Old Soul, is his fifth, and is releasing on UMe in partnership with the Marley Family, Tuff Gong and Ghetto Youth International. It’s Stephen stretching himself as a singer and songwriter, bringing along some special guests in a wide range of material beyond the reggae category.

Among its 14 tracks is the title song, released as a single on Stephen’s fortuitous birthday, 4/20 – which also got a lyric video on Father’s Day Weekend – plus “Winding Roads,” a collaboration with Jack Johnson and the Grateful Dead’s Bob Weir; a new version of his father’s song, “I Shot the Sheriff,” with Eric Clapton, who made the song globally famous, on guitar; two songs with his brothers; and unique covers of the traditional pop songs, “Georgia On My Mind” and “These Foolish Things,” both transformed into modern ska singalongs.

More than 20 years in the making, this December finally sees the release of i/o, Peter Gabriel’s first album of new material since 2002’s Up. During 2023, Peter has been releasing a new song from the album on the occasion of every full moon. Being revealed roughly every four weeks, each track has been allowed to find its own time and space, to enjoy its own orbit. “It’s a little like getting a Lego piece each month,” Peter explains. Now it’s time to stand back and admire the final, completed creation. And what a creation – 12 tracks of grace, gravity and great beauty that provide welcome confirmation of not only Peter’s ongoing ability to write stop-you-in-your-tracks songs but also of that thrilling voice, still perfectly, delightfully intact. Throughout the album the intelligent and thoughtful – often thought-provoking – songs tackle life and the universe. Our connection to the world around us – ‘I’m just a part of everything’ Peter sings on title track i/o – is a recurring motif, but so too the passing of time, mortality and grief, alongside such themes as injustice, surveillance and the roots of terrorism. But this is not a solemn record. While reflective, the mood is never despondent; i/o is musically adventurous, often joyous and ultimately full of hope, topped off as it is, by the rousingly optimistic closing song, Live and Let Live.  Always looking to push the boundaries, i/o is not simply a collection of a dozen songs. All 12 tracks are subject to two stereo mixes: the Bright-Side Mix, handled by Mark ‘Spike’ Stent, and the Dark-Side Mix, as reshaped by Tchad Blake. “We have two of the greatest mixers in the world in Tchad and Spike and they definitely bring different characters to the songs. Tchad is very much a sculptor building a journey with sound and drama, Spike loves sound and assembling these pictures, so he’s more of a painter.” Peter has also invited a range of visual artists to contribute a piece of art to accompany each track. The dozen artists make an exceedingly impressive team of collaborators: Ai Weiwei, Nick Cave, Olafur Eliasson, Henry Hudson, Annette Messager, Antony Micallef, David Moreno, Cornelia Parker, Megan Rooney, Tim Shaw, David Spriggs and Barthélémy Toguo. Having handpicked the artists, Peter recognises that “They have the same obsessive attention to their visual work that we musicians have in sound.”

SZNZ: Winter, the final part in Weezer’s four-EP song cycle, continues the narrative started on SZNZ: Autumn, SZNZ: Spring and SZNZ: Summer bringing Pagan myths, Shakespeare, Catholic rituals, Vivaldi’s Four Seasons, and more to life.  Each SZNZ EP offers its own palette of colors, creatures, and emotions to explore.  They were all created in real time, made in tandem with the season themselves.  Once they’ve all been released on December 21, the EPs will create an incredible collection of some of Weezer’s best songs yet, no small feat for a band that never leaves the Zeitgeist.

Hector Tellez Jr. is a soulful big-voiced singer and virtuoso rock guitar-player from Havana, Cuba. Growing up in a musical family in Cuba, he listened to scratchy bootlegged cassettes and CDs leading him on a passionate and self-curated music journey of blues and classic rock n’ roll. His cornerstone influences coalesced into Stevie Ray Vaughan, Muddy Waters, The Beatles, Led Zeppelin, Jeff Buckley, and Leonard Cohen.
Today Hector lives in Nashville, Tennessee and writes and records music in both English and Spanish. His upcoming debut album was produced by Barrett Martin (Screaming Trees, Queens of the Stone Age, Stone Temple Pilots) and features Peter Buck of R.E.M. and Krist Novoselic of Nirvana.

Daisy Jones & The Six Aurora Super Deluxe Album is set to release on December 1st on vinyl, cassette, and CD including 14 new tracks that have never been released on a physical format. The 14 new tracks include live, acoustic demos, and reimagined versions of hit singles “Look At Us Now (Honeycomb)” by Marcus Mumford & Maren Morris as well as “Let Me Down Easy” by Demi Lovato. The show Daisy Jones & The Six was the #1 most streamed show on Amazon upon launch and recently received 9 Emmy nominations. “Aurora” was produced by GRAMMY®-nominated writer, producer, and multi-instrumentalist Blake Mills (Bob Dylan, Fiona Apple, Alabama Shakes, John Legend, Andrew Bird, Perfume Genius). 

To celebrate the 30th anniversary of Snoop Dogg's multi- platinum Doggystyle, heralded as one of the most important albums of all time, Death Row Records will be bringing this back to retail with the original 1993 track listing on vinyl. This new 30th Anniversary edition will include the track "Gz Up, Hoes Down" which has not been on the album since its pressing in 1993. For new and old fans alike, this is the definitive version of the classic album that launched Snoop's solo career and helped define the sound of Los Angeles in the process.

Newly expanded, remastered and remixed edition of the one of the bestselling soundtracks of all time. With 14 previously unreleased tracks, this 3-LP triple gatefold set collects every musical element from the film for the very first time. Includes the Rodgers & Hammerstein classics “My Favorite Things,” “Edelweiss,” “Do-Re-Mi,” “Maria” and many more. 

Teeming with teenage angst, punk sensibilities, and Violent Femmes’ own special brand of jittery folk-rock, the trio’s self-titled debut Violent Femmes became a cult favorite. Features the anthems “Blister in the Sun,” “Please Do Not Go,” “Gone Daddy Gone,” and “Add It Up.” 

This expanded 40th anniversary 2-CD edition includes the remastered album, plus B-sides, live sessions, and rare demos. The package also includes liner notes by journalist David Fricke, featuring interviews with the band.

10th anniversary deluxe edition of Mac Miller's second studio album Watching Movies with the Sound Off on heavyweight galaxy vinyl. Includes a bonus 10" zoetrope picture disc with bonus track "The Star Room (OG Version)" and a never before released vinyl exclusive track "The Quest."

Busta Rhymes returns with his eleventh studio release executive produced by Pharrell Williams, Timbaland, Swizz, along with Busta himself.  The new album contains lead off singles “Beach Ball” featuring BIA, “Luxury Lifestyle” featuring Coi Leray, and “OK” featuring Young Thug along with a host of other features.

Members from The Offspring, Smash Mouth, The Mighty Mighty Bosstones, Street Dogs and The Briggs have united to form the new band THE DEFIANT! The members of The Defiant are no strangers to success as individuals but as a group their music stands for so much more on both a personal and professional level. Together the five members create a rock ’n’ roll pedigree that culminates into a riot of melodic punk. The Defiant will release their twelve-song debut album this October with touring to follow. The Defiant is: Pete Parada on drums (The Offspring), Greg Camp on guitar (Smash Mouth), Johnny Rioux on bass (Street Dogs), Joey LaRocca on guitar and keys (The Briggs) Dicky Barrett front and center (The Mighty Mighty Bosstones)

For years Feeling Figures have tinkered away at the edge of the Montreal scene, never fitting neatly into the ebb and flow of the city's cultural trends or its more traditionalist camps. A geographer, a music therapist, a writer, and an underground arts biz maverick, the four Figures have long been friends and collaborators in various musical formations and continue to propel multiple projects.

An incredibly intense live recording from Dead Moon’s legendary 20-date first tour of New Zealand. Recorded before an audience of about 40 people in Invercargill (Keith Richards called it the arsehole of the world), this is Dead Moon at their most savage and intense, the way they were meant to be heard!

Global superstar Post Malone holds the record for most RIAA Diamond certified singles in history. The Diamond Collection is a compilation of his top hits to date, including “Congratulations (feat. Quavo),” “Sunflower” with Swae Lee, “White Iverson,” and more. The physical release includes the Diamond certified hits as well as additional tracks.

Limited edition on glacial blue vinyl. Iron & Wine's Who Can See Forever is an accompanying live record to the film of the same name. Captured at Haw River Ballroom in Saxapahaw, North Carolina, the soundtrack features nineteen songs from the twenty plus year career of singer-songwriter Sam Beam. Having found inventive ways to re-invent his catalog live over the years, Who Can See Forever offers new and fresh versions of Iron & Wine songs including "The Trapeze Swinger", "Boy With a Coin" and "Naked As We Came." The film - initially intended as a live concert film - evolved into a visual portrait capturing Beam during a creative outburst that earned him four Grammy nominations in four years. Like his music, the film touches on universally personal themes as Beam juggles being an artist, husband and father. Taken as one, the soundtrack and film are a fascinating first-time glimpse behind-the-scenes of Iron & Wine.

Global icon and recent Rock & Roll Hall of Fame inductee, Dolly Parton, has joined forces with some of rock music’s most legendary artists along with today’s biggest stars for her first-ever rock album, Rockstar. The ever-evolving Parton teamed up with an all-star roster of musicians for the 30-song collection which includes 9 original tracks and 21 covers of iconic rock anthems.

The 2LP 180-gram black audiophile vinyl reissue features the album cut at 45 rpm for the first time ever from the original analog tape by Chris Bellman at Bernie Grundman Mastering in 2023 and a bonus 24” x 12” poster of the complete cover art.

Keith Urban #1’s CD includes 24 #1’s Hits on 2 CD’s (all packaged in 1 jewel case) from his entire catalog of albums.  The album spans from Keith’s very first #1 song to his latest and includes duets with Miranda Lambert, Carrie Underwood, Eric Church, and Julia Michaels.  This is the ultimate Keith Urban album and a must have for all fans.  Each CD will include a limited-edition double-sided poster.

Toby Keith just doesn’t sing #1 hits, he also writes them, solo, hence 100% Songwriter, compilation of 13 Keith self-penned country music hits featuring 5 #1 singles: "Should’ve Been a Cowboy," "Who’s That Man," "You Shouldn’t Kiss Me Like This," "Courtesy of The Red White and Blue (The Angry American)" and "Who’s Your Daddy". During Keith's career he has achieved 42 top 10 hits, 32 No. 1s, 40 million albums sold and more than 10 billion streams.

The surprise companion to The National’s April release First Two Pages of Frankenstein, Laugh Track is the band’s most freewheeling, all-hands-on-deck album in years. If Frankenstein represented a rebuilding of trust between group members after 20+ years together, the vibrant, exploratory Laugh Track is both the product of that faith and a new statement of intent. Reveling in the license to radically upend its creative process, The National honed most of this material in live performances on tour, and captured those invigorated versions in impromptu sessions at producer Tucker Martine’s Portland studio. Two nights later in Vancouver, the nearly eight-minute album closer “Smoke Detector” was recorded during soundcheck, completing a body of work bristling with spontaneity and vintage rock energy that makes a perfect complement to the songs found on its more introspective predecessor.

Shania Twain releases her record-breaking Greatest Hits album for the first time on 180g black vinyl! Selling over 100 million records, Shania is the best-selling female country artist ever, and this compilation showcases why. Including her iconic songs “Man! I Feel Like a Woman!”, “Any Man Of Mine,” “You’re Still The One,” and “Forever And For Always”, this updated remastered release now contains her newest hit “Giddy Up!” and fan favorite “Life’s About To Get Good.”

Following the release of the critically acclaimed Random Access Memories 10th Anniversary Edition earlier this year, this new iteration of the GRAMMY-award winning Album of the Year strips away all drum and percussive elements from the album, giving listeners the ability to dive deeper into the layers of instrumentation on each track. 2LP vinyl gatefold package with an 8 page booklet.

As a father and touring musician I made this album to keep my kids company in my absence, hopefully for them to sing along with in their mom’s car. These songs evoke memories of my mother playing her Martin parlor guitar and of my father, at the family turntable, telling stories about Furry Lewis and Gus Cannon or explaining a song’s meaning. I wanted to share these childhood favorites with my kids.

This collection of childhood favorites was recorded for fun, at home, with family and friends in the spirit of sharing. Everyone is welcome. I wanted to share these songs with my kids and my friend’s kids as well as expose my daughters to the joy of learning, performing and recording music that my father shared with me.

The recording was largely done in 2017 during dinner parties, sleep overs and play dates, either in a family style social setting or while the kids slept. After burning rough mix CDs for the family car, I set the project aside until 2023. Finishing the album with fresh ears album benefitted from my film score work done in 2020 and 21. I love letting projects simmer on the back burner until the time is right. The perspective of time can’t be bought or faked. My daughters sang on the album, both in 2017 and in 2023. Overdubbing my daughters on top of their younger vocals, 6 years later, was a unique sensation and document of their youth. You can hear my youngest daughter sneeze and improvise wordless melodies but my oldest daughter stole the show after her first overdub party, taking me aside and asking ‘don’t you get paid for singing on a record?’ - Luther Dickinson

AJR -"The Maybe Man" Republic Records; Mercury Records/Republic; Alternative EXPLICIT

This landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 12 additional tracks, including for the first time some of George Harrison’s earliest songs and some classic Beatles versions of R&B and rock ‘n’ roll hits that were so influential on the band. The 3LP collection now contains 38 tracks, 30 of which have new mixes for 2023. The set’s 12 newly added tracks are collected on its 3rd LP. An insert contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1962 – 1966 collection is a joyous celebration of The Beatles’ timeless musical legacy.

Also Available:
1962-1966 (The Red Album): Expanded [2CD]
1962-1966 (The Red Album): Expanded [3LP]
1967-1970 (The Blue Album): Expanded [2CD]
1967-1970 (The Blue Album): Expanded [3LP]
1962-1970 (The Red and Blue Albums): Expanded [6LP Box Set]
Now and Then [Vinyl Single]

This landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 9 additional tracks added chronologically, including “Blackbird”, “Glass Onion” and the new song, “Now And Then”. The last Beatles song, “Now And Then” completes John Lennon’s 1970s vocal and piano demo recording with parts played by Paul McCartney, George Harrison and Ringo Starr, as well as a new arrangement for strings. The 3LP collection now features 37 tracks, 6 of which have new mixes for 2023. The set’s 9 newly added tracks are collected on its 3rd LP. An insert contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1966 – 1970 collection is a joyous celebration of The Beatles’ timeless musical legacy.

Also Available:
1962-1966 (The Red Album): Expanded [2CD]
1962-1966 (The Red Album): Expanded [3LP]
1967-1970 (The Blue Album): Expanded [2CD]
1967-1970 (The Blue Album): Expanded [3LP]
1962-1970 (The Red and Blue Albums): Expanded [6LP Box Set]
Now and Then [Vinyl Single]

Last November in London, Cat Power took the stage at Royal Albert Hall and delivered a song-for-song recreation of one of the most fabled and transformative live sets of all time. Held at the Manchester Free Trade Hall in May 1966—but long known as the “Royal Albert Hall Concert” due to a mislabeled bootleg—the original performance saw Bob Dylan switching from acoustic to electric midway through the show, drawing ire from an audience of folk purists and forever altering the course of rock-and-roll. In her own rendition of that historic night, the artist otherwise known as Chan Marshall inhabited each song with equal parts conviction and grace and a palpable sense of protectiveness, ultimately transposing the anarchic tension of Dylan’s set with a warm and luminous joy. Now captured on the live album Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert, Marshall’s spellbinding performance both lovingly honors her hero’s imprint on history and brings a stunning new vitality to many of his most revered songs.

Celebrating the 25th anniversary of R.E.M.’s eleventh studio album, Up. This special pressing – replicating the original package – offers the newly remastered album across 2-LPs, pressed on 180-gram vinyl. The album features the singles "Daysleeper,” “Lotus,” “Suspicion” and “At My Most Beautiful.”

RUSH! (ARE U COMING) is the expanded edition of the album, RUSH!, by Måneskin that was originally released in January of 2023. This vinyl edition contains 7 additional songs not included on the 1-LP including “Supermodel,” “Mammamia” along with 5 brand new tracks never before released that make up the entire first side of the double LP.     

A tech company's "senior spirit guide" finally comes to the defense of the "financially unsuccessful" Vincent van Gogh; wonders of the natural world are reimagined as "muster points for brainstorming innovators"; the "artificial char lines" on fast-food burgers are cited as if signs of the apocalypse. For the better part of three decades, Aesop Rock has used the syntax of the moment to pinpoint the fault lines in that moment's supposedly solid foundation. With his tenth album, Integrated Tech Solutions, Aes wields insidious corporatespeak as a tool to pry that parasitic worldview away from the parts of life that truly matter.

A concept album about an organization offering "lifestyle- and industry-specific applications designed to curate a desired multi-experience," Integrated Tech Solutions picks apart the charlatan language that hears app inventors put themselves on continuums starting with cavemen and continuing through da Vinci. On "Mindful Solutionism," the wheel evolves seamlessly into modern agriculture-and then into atomic bombs, Agent Orange, cigarettes, and surveillance cameras. In a rare moment of transparency, the engineers Aes give voice to sum up this spiral in just a few words: "We cannot be trusted with the stuff that we come up with."

Appropriately, the album sounds like the past and future at once. Largely self-produced, Integrated Tech Solutions catches Aes at his leanest and most innovative, leveraging "Solutionism"'s careening bounce against the wistful "By the River" or the slow creep of "Salt and Pepper Squid." The effect is a record that sounds itself like an organism growing, mutating, hurtling toward profitability-and then destruction. As fans have come to expect, Aes is cuttingly funny and slyly profound at once, whether recounting a childhood restaurant run-in with Mr. T ("100 Feet Tall") or quipping, on "Pigeonome­try," that "white dove is a pigeon-you motherfuckers is bigots." At the same time, Integrated Tech Solutions is working on another parallel project: tracing the sprawl of modernity and cutting directly to its core. "I've been doing laps of the lost worlds," he raps on "All City Nerve Map," sounding at once wearied and reinvigorated. "I can draw a map to the raw nerve."

ALL OVER YOU is a forgotten gem, remastered, resequenced, and presented here for the first time on vinyl, nearly 25 years to do the day after its original release. Recorded raw with a band pulled from the ranks of Austin’s legendary Antone’s Nightclub, this session finds an older, laid-back Lester revisiting his classic Excello sides and distilling them to their essence. The remastered album features a bonus live recording of the Lightning Slim track, “Nothing But The Devil.” The audio was remastered from original source material and pressed at GZ Vinyl in the Czech Republic.

Celebrating the 15 Year Anniversary of The New Kids On The Block’s "The Block" with The Block Revisited, the original Boy Band collaborates with K-POP’s newest superstars to bring the Pop Event of 2023! “Dirty Dancing (Dem Jointz Remix)” unites the legendary pop icons together with JOSHUA, DK & DINO of SEVENTEEN with a fire remix by Grammy Award Winning Producer Dem Jointz.

Catch A Fire, the fifth studio album by Bob Marley & The Wailers, was included in Rolling Stone’s 500 Greatest Albums Of All Time. This 50th Anniversary Edition includes the studio album (LP1), Live at the Paris Theatre in London – previously only ever bootlegged (LP2), a bonus disc of alternate, extended and instrumental Jamaican tracks (LP3), plus a 12” single featuring 3 live tracks from the Sundown Theatre in Edmonton, with an etched image on the reverse side.

“I’m still learning how to experience joy, how to be free, how to be comfortable in my own skin,” says Jaime Wyatt. “A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment. I wrote these songs as a way of letting go of all that, as permission to feel good.”

Feel Good, Wyatt’s extraordinary new album, is more than just a permission slip, though: it’s an invitation. Recorded with Black Pumas’ Adrian Quesada, the record is bold and ecstatic, built on tight, intoxicating grooves that belie the songs’ substantial emotional stakes. Wyatt’s writing is raw and intuitive here, tapping into the deep recesses of her subconscious as she reckons with grief and growth, and her delivery is visceral to match, cutting straight to the bone with equal parts sensitivity and swagger. Taken as a whole, the collection stands as a radical act of creative liberation from an artist already known for pushing limits, a genre-defying work of healing and self-love that tips its cap to everything from Al Green and Otis Redding to Waylon Jennings and Bobbie Gentry in its relentless pursuit of peace and pleasure.

LOVE + POP is a snapshot of a moment in not-so-far-away time; something fast, loud, moody and a little dangerous. It is, in some ways, classic Current Joys: full of wild ambition, sneaky hooky, and songs that move from concept to completion with a prolific speed. But LOVE + POP also explodes myriad expectations with aggressive, deconstructed production, house music influence, and a guest appearance from Lil Yachty.

Singer/songwriter Jimmy Buffett regaled audiences for over five decades with songs about the faces and places from his lifelong journey along the road less traveled. His upcoming album Equal Strain On All Parts is a new chapter in that story as a playful and heartfelt gift to his dedicated fans. Inspired by his grandfather’s description of a good nap, the new album features some well-known friends, including Paul McCartney, Emmylou Harris, Angelique Kidjo, and the Preservation Hall Jazz Band.

Featuring remastered audio, taken from the ‘Chasing The Sun’ reissues - available for the first time as one collection - ‘The Masterplan’ is an extraordinary collection of B-sides originally featured on singles from Oasis’ era-defining first three albums, ‘Definitely Maybe’ (1994), ‘(What’s The Story) Morning Glory?’ (1995), and ‘Be Here Now’ (1997). Far from being inferior to the singles they backed, many of the 14 tracks that feature on ‘The Masterplan’ have become as cherished as the band’s biggest singles from that seminal period. The album includes tracks ‘Acquiesce’, ‘Half The World Away’, ‘Talk Tonight’, Oasis’ iconic live cover of The Beatles’ ‘I Am The Walrus’ and the epic title track. Noel has often described ‘The Masterplan’ as one of the best songs he has ever written. Formats include CD, Heavyweight Black LP and limited-edition Silver LP, to celebrate 25 years. ‘The Masterplan’ charted at No.2 in the UK Official Album Chart UK selling over 122,000 copies in its first week. It went on to be certified triple platinum and has sold over three million copies worldwide.

The 1989 album changed my life in countless ways, and it fills me with such excitement to announce that my version of it will be out October 27th. To be perfectly honest, this is my most FAVORITE re-record I’ve ever done because the 5 From The Vault tracks are so insane. I can’t believe they were ever left behind. But not for long! Pre-order 1989 (Taylor’s Version) now.

Package details:
1989 (Taylor’s Version) Vinyl
21 Songs
Including 5 previously unreleased songs from The Vault
1 of 4 Editions: Collectible album gatefold jacket with unique front and back cover art
2 Crystal Skies Blue vinyl discs
1 of 4 Editions: Collectible album sleeves including lyrics and never-before-seen photos for each version

Sum 41 celebrates 23 years with All The Good Sh** now available on vinyl for the first time! Originally released in 2009, this greatest hits compilation focuses on 14 hit singles from each of the band’s studio albums from 2001-2008.

As they set to work on their highly awaited sophomore album, Black Pumas broadened their palette to include a dazzling expanse of musical forms: heavenly hybrids of soul and symphonic pop, mind-bending excursions into jazz-funk and psychedelia, starry-eyed love songs that feel dropped from the cosmos. The debut was nominated for 7 Grammys and reached one million album equivalents. Chronicles Of A Diamond arrives as the fullest expression yet of their frenetic creativity and limitless vision.

Duran Duran return with their new album Danse Macabre. The 13 song collection features: three brand new songs; haunting covers of songs by artists such as Billie Eilish, Talking Heads, The Rolling Stones and The Specials; and new versions of Duran Duran classics from their own catalog. It also includes a rare b-side and fan favorite: “Secret Oktober 31^st”.  Guest artists include producer, guitarist and composer Nile Rodgers, Victoria De Angelis of Måneskin and former band members Andy Taylor and Warren Cuccurullo.  Exquisitely packaged with a fold-out poster, the record features images adapted from a collection of authentic vintage séance photos that band member Nick Rhodes sourced at auction. 

Jenny from Thebes began its life as many albums by the Mountain Goats do, with John Darnielle playing the piano until a lyric emerged. That lyric, “Jenny was a warrior / Jenny was a thief / Jenny hit the corner clinic begging for relief,” became “Jenny III,” a song which laid down a challenge he’d never taken up before: writing a sequel to one of his most beloved albums.   The Mountain Goats’ catalog is thick with recurring characters—Jenny, who originally appears in the All Hail West Texas track bearing her name, as well as in “Straight Six” from Jam Eater Blues and Transcendental Youth side two jam “Night Light,” is one of these, someone who enters a song unexpectedly, pricking up the ears of fans who are keen on continuing the various narrative threads running through the Mountain Goats’ discography before vanishing into the mist. In these songs, Jenny is largely defined by her absence, and she is given that definition by other characters. She is running from something. These features are beguiling, both to the characters who’ve told her story so far and to the listener. They invite certain questions: Who is Jenny, really? What is she running from? Well, she’s a warrior and a thief, and, this being an album by the Mountain Goats, it’s a safe bet whatever she’s fleeing is something bad. Something catastrophically bad.   Jenny from Thebes is the story of Jenny, her southwestern ranch style house, the people for whom that house is a place of safety, and the west Texas town that is uncomfortable with its existence. It is a story about the individual and society, about safety and shelter and those who choose to provide care when nobody else will.   This is what a follow-up to All Hail West Texas entails. But if you think about the Mountain Goats as they were in 2001, when Darnielle wrote and recorded that album on his own, mostly into his Panasonic RX-FT500 boombox, and how they are now as the recording and touring outfit of Darnielle, Peter Hughes, Matt Douglas, and Jon Wurster, you may find yourself asking how. That occurred to Darnielle, too.   “If we’re going to do a sequel to a record that was recorded almost entirely on a boombox,” he asks, “why not do the opposite and make it as big as possible?”   Decamping to Tulsa, Oklahoma’s legendary The Church Studio with Grammy-winning producer/engineer Trina Shoemaker (Sheryl Crow’s The Globe Sessions), that is exactly what the Mountain Goats did. Jenny from Thebes is a lush collection of showtunes, pushing Darnielle as a vocalist and the Mountain Goats as a band, broadening their sonic palette once again by leaning into influences like Godspell, Jim Steinman, and The Cars. The resulting album cuts a path that is simultaneously full of allusions longtime Mountain Goats fans will spin entire mythologies from while also being their most inviting record for those who’ve yet to be converted to the cause.   Lifted by Matt Douglas’ horn and string arrangements, the dreamy guitar of Bully leader (and Bleed Out producer) Alicia Bognanno, and backing vocals from Kathy Valentine of The Go-Go’s (“Only One Way,” “Same as Cash,” “Going to Dallas”) and Matt Nathanson (“Fresh Tattoo”), the album is a widescreen musical in scope, a melodrama of richly detailed characters and sweeping emotions.   Explaining the title of the album, Darnielle notes that Jenny is not unlike a character from Greek literature, someone on the verge of an unimaginable tragedy whose signs and portents will not make themselves known to her until she finds herself amidst the wreckage. “These things never happen in isolation,” he says. “One bad event leads to and is the reason for another bad event. Jenny should know that you can’t keep a safehouse in a west Texas town, but she’s too wrapped up in the process and has to go through the loss to understand how it happened.”   Whether or not she comes to understand how it happened, the events of Jenny from Thebes set Jenny on the run. A woman and her custom yellow and black Kawasaki held in the memories of a vanishing few, someone who held the gate for as long as she could, as a warrior might, before disappearing into the night like a thief.

Prince & The New Power Generation’s multi-platinum album, Diamonds And Pearls, dazzlingly remastered for the very first time by Prince’s original mastering engineer Bernie Grundman.  

• LP1-2: Diamonds And Pearls - Remastered for the very first time 
• LP3-4: 15x newly Remastered Singles Mixes & Edits 
• The Deluxe Edition contains 28 audio tracks on 4 black 180 gram LPs, capturing the very most important tracks released by Prince & The New Power Generation in 1991/92.  
• The Deluxe Edition opens with Prince & The New Power Generation’s multi-platinum album, Diamonds And Pearls, dazzlingly remastered for the very first time by Prince’s original mastering engineer Bernie Grundman. 
• Also included are 15 of the incredible remixes and B-sides from the era, including the never commercially released “Gett Off (Damn Near 10 Min.)” mix, all of which have also been remastered for the very first time. 

Platinum celebrates in a beautiful, collectable 4LP set, the 70^th anniversary of Frank Sinatra signing to Capitol Records, a moment that transformed his career and solidified his standing as one of the greatest interpretive singers of all time. For the next ten years, Sinatra recorded more than three hundred songs for Capitol, the majority of them included on the landmark ‘concept’ albums Sinatra pioneered. It is arguably the finest body of recorded work in popular music.

Over 44 songs, Platinum features a cross-section of Sinatra’s best and most sought-after Capitol tracks, from the swinging “I Get A Kick Out Of You” and “Come Fly With Me” to the moody, breathtaking “Moonlight In Vermont” and “Only The Lonely,” with many highlights before, during and after these classic recordings. Also included are vault rarities, including session takes that reveal the man behind the mic.

The 4LPs are housed in a hardback, large format package that includes rare photos, an introductory essay and quotes from Sinatra and his arrangers. Platinum was curated by Charlie Pignone, President of Frank Sinatra Enterprises. An exclusive, limited e-commerce edition includes lithographs of Sinatra images from the Capitol era.

In This Moment’s eighth studio album, produced by Kane Churko and Tyler Bates. Featuring lead single “THE PURGE.”  

The follow-up to the album containing the GRAMMY® Award-nominated single “The In-Between.”

Misfits & Mistakes: Singles, B-sides & Strays 2007–2023 is Superchunk’s fourth singles compilation, a massive, 4-LP (or 2-CD) collection covering their triumphant return from hiatus. The amount of ground covered within its gorgeous packaging is staggering: 50 songs, 16 of which are on physical media for the first time, sourced from out-of-print releases, digital singles, compilations, and more—a vital piece of the Superchunk canon.

Featuring extensive liner notes by Mac McCaughan (with additional notes from Laura Ballance), Misfits & Mistakes tells the story of each release, from why they chose to cover songs by The Misfits, The Cure, Destiny’s Child, and Bananarama, to working with collaborators like Katie Crutchfield (Waxahatchee), Jane Wiedlin (The Go-Go’s), Eleanor Friedberger, Damian Abraham (Fucked Up), Norman Blake and Raymond McGinley (Teenage Fanclub), and more!

Mac writes:

Who knew it would take a cartoon hamburger to kick off a new period of activity for Superchunk? When we recorded “Misfits and Mistakes” for the Aqua Teen Hunger Force soundtrack at Overdub Lane in Durham, we also recorded the first version of “Learned to Surf” which gave us an on-ramp for making new music after 8 years of playing sporadic gigs. It also reminded us what we liked about playing Superchunk songs, whether they’re our own or written by our musical heroes.

This collection covers a lot of ground, from heavy touring years to a pandemic where we made singles and an album at home. One difference between this comp and our first three is that this time span completely falls in the digital age; the distance from a final mix to everyone hearing it is shorter than ever. I’ve always liked artists that were prolific—throwing out singles in between albums when you least expect it. A surprise release from your favorite band is one of the few things that can still bring a little excitement to what can seem like an endless deluge of “content” (puke). Hopefully the wild swings between lo & hi fi and originals and covers on this comp still allow for some coherence and, more importantly, convey what’s FUN about this punk rock thing.

The 4-LP set comes packaged in a slipcase with two exclusive 18” x 24” posters, and the 2-CD set includes a full-color 28-page booklet.

Hackney Diamonds is the hugely anticipated new album by The Rolling Stones. Following the release of 2016's Grammy Award-winning Blue & Lonesome, which featured brilliant versions of blues tracks that helped shape their sound, Hackney Diamonds marks the band's first studio album of original material since 2005's A Bigger Bang. Indie Exclusive Diamond Clear 180g LP.

ONE MORE TIME... is the highly anticipated new album from blink-182, featuring the group’s iconic lineup together again – Mark Hoppus [bass, vocals], Tom DeLonge [guitar, vocals], and Travis Barker [drums].  The trio recorded ONE MORE TIME... over the course of 2022 and 2023 in the midst of their blockbuster reunion tour, which sold out arenas, amphitheaters, and stadiums across the world. ONE MORE TIME… features 17 new songs that capture the band at the top of their game, layering in themes of tragedy, triumph, and most importantly, brotherhood.

Celebrating the 30th anniversary of U2’s Zooropa, this limited edition transparent yellow vinyl pressing of the Grammy-award winning album coincides with the band’s performances at the Sphere in Las Vegas. Initially intended to be just an EP, Zooropa became a 10-track album recorded in 6 weeks in 1993, making it the fastest U2 album ever produced. Produced by Flood, Brian Eno and The Edge, the album went to #1 in the UK, US and more. It features the singles “Numb,” “Lemon” & “Stay (Faraway, So Close!).”

To celebrate the 10th anniversary of CHVRCHES critically-acclaimed debut album 'The Bones of What You Believe', they are releasing a newly remastered version. The album spawned seven singles including their massive alternate hit "The Mother We Share”. The 2LP/2CD version features previously unreleased songs, four from the album session, including “Manhattan” along with five live songs recorded at Ancienne Belgique.

Not many heroes of indie folk have won an Oscar or created the basis of a successful stage musical, but Glen Hansard is an artist who can wear both of those feathers in his cap. As a member of the Frames and the Swell Season, Hansard won acclaim for his literate, intelligent, and passionate songwriting and his nuanced vocals, and he’s gone on to win similar accolades as a solo artist. Hansard first gained an audience for the limber but emphatic indie rock he created as a member of the Frames, then gained international fame with fellow singer and songwriter Markéta Irglová in the duo the Swell Season, whose emotionally open, primarily acoustic indie folk became the centerpiece of the award-winning independent romantic drama Once. After going out on his own with his 2012 solo debut, Rhythm and Repose, Hansard has shown a stylistic diversity as he embraced the sound of ‘70s singer/songwriters on 2015’s Didn’t He Ramble, vintage soul on 2018’s Between Two Shores, and an eclectic swing between subtle folk and noisy indie rock on 2019’s This Wild Willing.

Glen Hansard now presents All That Was East Is West Of Me Now, his first solo album in 5 years. The album demonstrates the Oscar-win-ning singer-songwriter’s unique ability to blend Irish folk with modern rock & the punch of his storied live shows, of which The Guardian says, “Hansard’s powerful voice, whether raw with passion or tender with regret, shines above arrangements bursting with swagger.”

Heading back to the band’s studio in London, Bombay Bicycle Club have lovingly crafted album six – My Big Day. It’s a powerful, expansive body of work, replete with an irrepressible dose of joy. My Big Day also found the band’s studio door wedged open for a collaborative experience, inviting the likes of Jay Som, Nilüfer Yanya, and Holly Humberstone and Damon Albarn who all feature. On first listen, Bombay Bicycle Club have opened up the curtains and let this revelatory set of vibrant, joyous compositions bask in the sunshine. It’s an album that means business, sculpted by one of Britain’s best guitar bands.

The group’s second LP for Epitaph finds HUNNY playing in a brand-new musical sandbox, balancing the haze of hindsight with a sun-soaked SoCal summer.

From the meditative track “my own age” and breakbeat-backed, late ’90s-leaning “all my luck” to the lo-fi punk standout “ring in your ear” (featuring Motion City Soundtrack’s Justin Courtney Pierre) and made-for-dashboard-drumming “89cc” (complete with a searing sax solo) the album is a testament to the band’s musical fluency and dedication to their craft.

HUNNY was born out of the tight-knit North LA indie-rock scene of the mid-2010s, sharing stages and even band members with acts like The Neighbourhood and Bad Suns from an early age. The band is well established in the digital space, having racked up over 300+ Million streams to date on their catalog.

By the time the band had secured a record deal with legendary Epitaph Records and released their 2019 debut full-length, Yes. Yes. Yes. Yes. Yes., outlets like Alternative Press were hailing HUNNY – vocalist/guitarist Jason Yarger, guitarist Jake Goldstein, bassist Kevin Grimmett and drummer Joey Anderson – for their spin on “perfunctory electronic and new-wave pop, teeming with love, heartbreak, neuroses and impeccably sweet dancing shoes.”

Now, on the verge of entering their second decade together, it’s clear HUNNY’s greatest asset is their disinterest in doing anything besides what moves them. It’s afforded them great range as a band, the ability to naturally shapeshift on their own albums as well as win over audiences across the entire rock spectrum. Most importantly, it’s propelled them to be unapologetically themselves and trust what’s gotten them this far.

Goodnight, God Bless, I Love U, Delete. presents an enchanting blend of personal reflections and diverse ideas, offering a glimpse into the captivating creative journey of Chino Moreno and Shaun Lopez as ††† (Crosses). Throughout the album, they skillfully craft immersive soundscapes that evoke a profound sense of emotion and empathy, a testament to their close-knit collaboration and enduring friendship over decades. Moreno and Lopez embrace atmospheric electronic textures, adorned with both intricate and minimalistic arrangements, all amplified by Moreno’s mesmerizing vocals. The result is a tour de force which boasts features from EL-P and Robert Smith adding even more depth and richness to the music. The themes explored in Goodnight, God Bless, I Love U, Delete. oscillate between optimism and dark romanticism, showcasing the duo's ability to traverse contrasting emotions and eclectic musical styles delivering a truly magnificent body of work.

Troye Sivan’s third studio album, Something To Give Each Other, is a celebration of sex, dance, sweat, community, queerness, love and friendship. Emerging from the tribulations of the last few years, Sivan found himself rewiring with the joy of human connection and dance music. He wrote the songs for the new album with Oscar Görres (Taylor Swift, Katy Perry, Sam Smith), Ian Kirkpatrick (Dua Lipa, Britney Spears) AG Cook (Charli XCX, Beyonce) and Styalz Fuego (Khalid, Imagine Dragons).

On his latest album as The Drums, New York-based indie pop artist Jonny Pierce plunges into the work of healing from childhood trauma and the long shadow it casts over adulthood. The sparkling, eponymous Jonny unfurls a love letter to a galaxy of younger selves, all hungry to be nourished, all rejoicing now that they finally get to belong. Playful, heartbreaking, raucous, and serene all in turn, Jonny embraces the mess of life in all its facets. It renders the magic that happens when you fall in love with yourself down to the marrow.

Soaring to alt-pop prestige on arrival, The Drums have released studio albums that deftly walk the line of aching melancholy and irresistible pop sensibilities, presented through a kaleidoscope of pastel guitars, reverb, modular synthe- sizers and drum machines. It’s a sound that’s wholly unique, and unmistakably The Drums.

The Drums’ music remains timeless, as evidenced by the recent explosion of their RIAA Gold-certified song Money, which first appeared on their breakout sophomore album Portamento, reaching #1 on the Alternative Global Shazam Chart and #2 on the TikTok Global Hashtag Chart.

boygenius (Julien Baker, Phoebe Bridgers, Lucy Dacus) presents the rest, a new four-track EP, serving as an expansion of their critically acclaimed debut full-length, the record. Produced by boygenius, Tony Berg, Jake Finch, Ethan Gruska, Calvin Lauber, Collin Pastore and Marshall Vore, the rest continues to showcase the band’s songwriting prowess and distinct sound. This EP also includes a 16-page newspaper zine.

Rewind Forward, the latest EP from drumming legend Ringo Starr, features four new songs from an All-Starr cast of collaborators, including Sir Paul McCartney, Joe Walsh, Steve Lukather, Benmont Tench, Matt Bissonette and Bruce Sugar. With singable melodies, upbeat lyrics, and loads of Peace and Love, this collection is a must-have for any Ringo fan. Available on 10” black vinyl.

Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. By constantly upping themselves across nine unpredictable and adventurous studio albums, the trailblazing Toronto outfit founded by songwriting and production partners Emily Haines and Jimmy Shaw along with bandmates Joshua Winstead and Joules Scott Key is proof that you can amass an untouchable catalog without ever signing to a major label or changing your lineup. Their latest LP, Formentera II, out October 13 via their label Metric Music International and Thirty Tigers, is a testament to their singular purpose. It stands among their best and most genre-defying work and closes the 18-song cycle started by 2022’s critically acclaimed Formentera.

Since 2017, intimate candor has defined Chelsea Cutler’s artistry. The platinum-selling singer, songwriter, multi- instrumentalist, producer and engineer chooses her words very carefully and, ultimately, sings with a novelist’s attention to detail. After sharing fan favorites “Men On The Moon,” “Stay Anything” and “I Don’t Feel Alive,” the latest single “Your Bones” highlights her unfiltered honesty front-and-center and sets the tone for what’s to come on her new 15-track album, Stellaria, out October 13, 2023 on Mercury Records/Republic Records. Indie Exclusive Fruit Punch 2 LP.

This 3LP set on purple smoke vinyl captures the original band lineup of Black Sabbath live from their 1997 reunion tour, and features 16 live performances of their greatest hits remastered from the original source tapes, along with 2 remixed bonus tracks. Indie Retail/D2C exclusive on purple smoke vinyl.

RSD Essential 048 * 40th Anniversary Pressing * In 1983, Cyndi Lauper’s debut album, She’s So Unusual quickly became a worldwide sensation. Its legacy has lived on 40 years later as one of the most iconic albums of its time. Including smash hits, “Girls Just Want to Have Fun,” “Time After Time,” “She Bop” and more, this exclusive 40th anniversary edition comes on opaque blue vinyl, available only through RSD Essentials.

Yellow (Honey) Colored Vinyl. The beautiful, introspective folk music on Rowland's debut album, Come June, can be traced back to that jukebox, which inspired a lifelong exploration of why he loves certain sounds, and how to make them himself. The project was made in collaboration with producer, Rob Schnapff (Kurt Vile, Dr. Dog, Elliot Smith), and although Rowland already has impressive songwriting credits to his name, Come June is truly the beginning of the most important chapter yet in Rowland's artistic evolution.

Mac Miller's Swimming marked a pivotal point in the late artist's career. His devotion to constant sonic exploration and artistic reinvention had already been well-documented prior to the album's release -- the quantum leap from his Billboard chart-topping debut Blue Slide Park to his sophomore album Watching Movies with the Sound Off, his tour de force as a producer on his 2014 mixtape Faces and ability to direct a full band on 2016's The Divine Feminine were evidence of his steadfast commitment to growth in his craft. Yet upon its release, Swimming was immediately understood by both his fans and critics alike as the high water mark of his career: an album that perfectly showcased the musical chops he had developed vocally and instrumentally over the course of a decade. This understanding was reinforced when, just 3 days after the album's release, NPR Music published a Tiny Desk Concert where Miller and band performed album cuts "Small Worlds," "What's The Use?" featuring regular collaborator Thundercat and "2009" with a full band. The now-iconic performance remains one of the highest streamed performances in the history of NPR's Tiny Desk Concert series and is now available on vinyl for the first time.

NPR Music Tiny Desk Concert vinyl, featuring the live recording of the 2018 performance from NPR Headquarters in Washington, D.C.

Darius Rucker will be releasing his 6th Country Studio album- Carolyn’s Boy which will feature 14 songs including #1 song- “Beers and Sunshine” and his latest hit single- “Fire’s Don’t Start Themselves.” The album title is named after his mother. Rucker embarked on a successful solo career, applying his versatile baritone to acclaimed R&B and country efforts like the platinum-selling Learn to Live (2008) and True Believers (2013), and 2023's Carolyn’s Boy, which featured the hit single "Beers and Sunshine."

Reba McEntire will be releasing her companion album to her upcoming book-"Not That Fancy: Simple Lessons on Living, Loving, Eating, and Dusting Off Your Boots" which will be released on October 6th. All songs are stripped down/acoustic versions of some of her biggest hits and was produced by Grammy Winning producer, Dave Cobb. It will also include 3 new classic stripped down/acoustic songs that have never been released, and it will also include a brand-new song- "Seven Minutes in Heaven".

Over the course of his career, Sufjan Stevens has blurred distinctions between the major and the minor, between the details that color our existence and the big events that frame our lives. He has turned historical footnotes of States into kaleidoscopic pop, and rendered the immeasurable grief of loss with intimacy and grace.

His new album Javelin—Sufjan’s first solo album of songs since 2020’s The Ascension and his first in full solo singer-songwriter mode since 2015’s Carrie & Lowell—bridges all these approaches. Sufjan uses the quietness of a solitary confession to ask universal questions in songs we can share communally. Accompanying the CD and LP formats of the album is a 48-page book of art and essays. With a series of meticulous collages, cut-up catalog fantasies, puff-paint word clouds, and iterative color fields, Sufjan builds order from seeming chaos and vice versa. And toward the middle of it all are 10 short essays by Sufjan, another window into the process that informed Javelin.

Split-coloured vinyl & printed lyrics. "Run the Jewels - Hip-hop's preeminent collaboration between veteran rhyme-slayers El-P and Killer Mike have gone from a whim-driven underground rap project to a worldwide sensation since the release of their 2013 debut Run The Jewels. Mixing the industrial grime of New York City with the vibrant bounce of the dirty South, they forge hip-hop's future while adhering to the core tenets of it's bedrock: gymnastic displays of skills, incendiary political rhetoric, merciless braggadocio, battle-honed assholery, R-rated punchlines and a back-and-forth that brings the interplay of the shell-toe Adidas era screaming into our contemporary nightmare.Tearing up the music industry rulebook, their self-titled 2013 debut was originally released through a series of website-crashing free album downloads. Featuring Outkast's Big Boi on Banana Clipper and Prince Paul on Twin Hype Back, it's a "rough and rabid ride"; a "swaggering victory lap for two artists at the peak of their creativity"; and been dubbed "one of the best hip-hop records of 2013"." Now available in a special 10th anniversary edition with the original and instrumental album, packaged in a double gatefold sleeve with split-coloured vinyl.

Mac Miller's Swimming marked a pivotal point in the late artist's career. His devotion to constant sonic exploration and artistic reinvention had already been well-documented prior to the album's release -- the quantum leap from his Billboard chart-topping debut Blue Slide Park to his sophomore album Watching Movies with the Sound Off, his tour de force as a producer on his 2014 mixtape Faces and ability to direct a full band on 2016's The Divine Feminine were evidence of his steadfast commitment to growth in his craft. Yet upon its release, Swimming was immediately understood by both his fans and critics alike as the high water mark of his career: an album that perfectly showcased the musical chops he had developed vocally and instrumentally over the course of a decade. The album has stood the test of time as one of his greatest musical statements and is available as a 2-disc vinyl box set that includes milky clear/hot pink/sky blue marble LPs in custom clear printed sleeves, eight 12” x 12” lyric cards, one 24” x 24” silver print poster printed on Lumina Platinum colored paper all house in a tri-fold jacket and packaged in a double-walled slipcase with rainbow foil and embossed detail in celebration of the album's 5 year anniversary.

Standard: Recorded in Los Angeles in less than two months with a close-knit group of producers, HELLBOY became Lil Peep’s breakthrough mixtape upon its initial release on September 25, 2016. He was just nineteen-years-old. HELLBOY made waves in underground circles for its gritty vocals and sampling of classic guitar riffs, and remains a fan favorite seven years later.

“We know Gus would love to see Hellboy released so beautifully on vinyl for his fans.” - Lil Peep’s mother, Liza Womack. This is a double LP, gatefold packaging, featured on cloudy red vinyl. 45RPM, and includes a HELLBOY sticker.

Originally released in 1992 on Island Records, Bone Machine is Tom Waits’ 11^th studio album. 5 years after Franks Wild Years, Bone Machine is a return to studio albums for Tom Waits. The album features David Hidalgo, Les Claypool, Brain and Keith Richards and won a GRAMMY for Best Alternative Music Album.

Bone Machine is rather pointedly otherworldly… another edge pusher – his most poetically and sonically daring work yet. Writing again with his longtime collaborator and wife, Kathleen Brennan, Waits acknowledges writing ‘darker’ material saying “A great many songs live there, so that’s where I’ve been digging lately.”

Waits calls the songs on Bone Machine “little movies for the ears.” He sometimes wrote them entirely from a percussion pattern—which he played on array of largely homemade instruments. One, the “conundrum,” was rusted pieces of farm equipment hung from a large iron crucifix. As Waits explained at the time, “I have a lot of very strong rhythmic impulses, but this is not my world. I just pick something up and I hit it, and if I like the sound, it goes on. Sometimes my idiot approach serves the music.”

Mortality is a recurrent theme, from “Dirt In The Ground” (“We’re all gonna be. . .”) to “All Stripped Down,” “The Ocean Doesn’t Want Me” (a tale of contemplated suicide), “Jesus Gonna Be Here,” the rambunctious paean to childhood, “I Don’t Wanna Grow Up,” and certainly the broken-hearted, confessional classic Waits ballad, “Whistle Down The Wind.” Waits explained at the time: “Yeah, ultimately, it will be a subject that you deal with. Some deal with it earlier than others, but it will be dealt with. Eventually we’ll all have to line up and kiss the devil’s arse.” Yet the album actually ends upliftingly, with “That Feel” co-written with Keith Richards.

Newly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. Bone Machine includes tracks such as “Goin’ Out West,” “I Don’t Wanna Grow Up” and “Jesus Gonna Be Here.” Available on 180g black vinyl.

2023 Marks 30 years since Tom Waits released The Black Rider. Originally released in 1993 on Island Records, The Black Rider is Tom Waits’ 12^th studio album. The Black Rider is a musical comedy/horror collaboration between artists: Robert Wilson (director/designer) writer/Beat guru, William S. Burroughs (text) and Tom Waits and Kathleen Brennan (music). Not a cast album, this Island Records release is Tom’s interpretation and performance of the songs he had originally created for the stage production of The Black Rider. The music is a Waitsian concoction of pop, vaudeville, rock, cabaret and blues – a brew that is strangely familiar yet absolutely fresh.

The unlikely source material is rooted in German Romantic literature and the Weber opera, “Der Freischutz” (although Waits’ music does not quote from the Weber score), The story concerns a marksman who makes a pact with the devil (in the guise of a shadowy horseman) in order to win a shooting contest and hence claim his bride.

A cross between the musical, Cabaret and The Threepenny Opera, The Black Rider is brimming with the sort of inspired originality that can only flow from the mind of Tom Waits.

The album is newly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. The Black Rider includes tracks such as “November,” “Russian Dance” and “The Briar And The Rose.” Available as a CD digipack.