LP is 150 Gram and includes a download insert

A new studio album from the time-defying legend who has won Grammys for his last two albums (2019’s Ride Me Back Home just won Best Solo Country Performance and 2018’s My Way won Best Traditional Pop Album). While his last few albums have focused on facing the reality of mortality and crying or laughing in its face, this one is focused much more on celebrating the now and embracing life, love and friends & family. The album includes new songs written by Willie and long time producer Buddy Cannon combined with new songs written by Chris Stapleton and Toby Keith plus a handful of classic songs that Willie interprets his way, all performed with an amazing band of Nashville gunslingers.

Holy Wave is a band of multi-instrumentalists from Austin, TX. Originally from El Paso, the band’s sound has evolved into a unique blend of sun baked surf-psychedelia. Holy Wave creates a brand of psych that brings to mind fellow Texans like The 13th Floor Elevators and modern contemporaries like The Black Angels and Night Beats, dyed in carefully constructed noise with an attention to detail echoing the work of influences like My Bloody Valentine and Spectrum.

Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.

Double vinyl LP pressing. 2020 release. Women in Music Pt. III is the third studio album by American band HAIM. Released through Columbia Records. It was produced by Danielle HAIM, Rostam Batmanglij and Ariel Rechtshaid, and was preceded by the singles 'Summer Girl', 'Now I'm in It' and 'Hallelujah'.

Vinyl LP pressing. Includes digital download. 2020 release, the 10th studio album by heavy metal band Lamb of God. Tis self-titled release is the first studio album of all-new material by the band since 2015's VII: Sturm und Drang and the first to feature Art Cruz as the replacement for original drummer Chris Adler, who left Lamb of God in July 2019. The album features guest appearances by Jamey Jasta of Hatebreed and Chuck Billy of Testament.

Phoebe Bridgers doesn’t write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. Punisher, her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. The arrival of Punisher cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era.

Bridgers is the rare artist with enough humor to deconstruct her own meteoric rise. Repeatedly praised by publications like The New Yorker, The New York Times, GQ, Pitchfork, The Fader, The Los Angeles Times and countless others, Bridgers herself is more interested in discussing topics on Twitter, deadpanning meditations on the humiliating process of being a person, she presents a sweetly funny flipside to the strikingly sad songs she writes. Fittingly, Punisher is fascinated with, and driven by, that kind of impossible tension. Whether it’s writing tweets or songs, Bridgers’s singular talent lies in bringing fierce curiosity to slimy and painful things, interrogating them until they yield up answers that are beautiful and absurd, or faithfully reporting the reality that, sometimes, they are neither.

Bridgers pulls together a formidable crew of guests, including the Julien Baker, Lucy Dacus, Christian Lee Hutson and Conor Oberst as well as Nathaniel Walcott (of Bright Eyes), Nick Zinner (of the Yeah Yeah Yeahs), Jenny Lee Lindberg (of Warpaint), Blake Mills and Jim Keltner as well as her longtime bandmates Marshall Vore (drums), Harrison Whitford (guitar), Emily Retsas (bass) and Nick White (keys). The album was mixed by Mike Mogis, who also mixed Stranger In The Alps.

On the album’s epic, freewheeling closer, “I Know The End,” Bridgers orchestrates wails and horns, drums and electric guitar into a sumptuous doomsday swirl, culminating in her own final whispered roar. This is Punisher in a nutshell: devastating elegance punctuated by a moment of deeply campy self-awareness. 

Frank Zappa And The Mothers -"The Mothers 1970" - A 4-CD collection commemorating the 50th anniversary of the 1970 Mothers with 70 unreleased tracks. Personnel includes Mark Volman & Howard Kaylan (Flo & Eddie), George Duke, Ian Underwood, Jeff Simmons and Aynsley Dunbar. Featuring unheard studio sessions from Trident Studios in London England with engineer Roy Thomas Baker, and historical live performances mostly captured by Zappa's own tape recorder. Clam Shell Box with 4 discs, booklet and a button.

Best known as the charismatic lead singer and co-writer of UK band Savages, who received Mercury Prize nominations for both of their now-classic two albums Silence Yourself (2013) and Adore Life (2016), Jehnny Beth's voice, lyrical perspective, and incredible live performances have captivated audiences since the early Aughts. But it's in To Love Is To Live that Jehnny Beth truly steps into - and claims - the spotlight. The album is a sonic tour de force, a dark cinematic meditation on the strange business of being alive. Throughout the record, she explores the deepest reaches of her creative consciousness... wrapped in a whirlwind of sounds. Indeed, in accessing those darkest and least comfortable parts of herself, Jehnny Beth has created a piece of work that is stunningly cathartic, fiercely abrasive, delicately exposed, and rich for discourse.

Notes On A Conditional Form is The 1975's highly anticipated fourth studio album. Available May 22nd, the 22-track epic includes hit singles "People" and "Me & You Together Song". The band worked to use as little plastic as possible in the manufacturing of the product. Double LP pressed on clear-colored vinyl, housed in a 100% recycled and recyclable sleeve.

Originally released in 1972, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.Pressed on heavyweight 180g black vinyl, this album features the singles `Happy', `Sweet Virginia', and `Tumbling Dice'.

Originally released in 1971, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.Pressed on heavyweight 180g black vinyl, this album features the singles `Brown Sugar', `Can't You Hear Me Knocking', `Wild Horses' and `Dead Flowers'.

Originally released in 1978, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.Pressed on heavyweight 180g black vinyl, this album features the singles `Beast of Burden', `Shattered', and `Respectable'.

Celebrating 40 years of Rush's Permanent Waves, deemed the poignant moment the band reinvented themselves and their sound. The 3LP Deluxe Edition features original vinyl packaging with a newly designed gatefold jacket for the two discs of live bonus tracks (from the 1980 World Tour). With a 20-page booklet of reimagined artwork by original designer Hugh Syme & unreleased band archive photos. Housed in a slipcase. Features hits like "The Spirit Of Radio" and the cinematic "Jacob's Ladder".

Norah Jones’ seventh solo studio album Pick Me Up Off The Floor features collaborators from Brian Blade to Jeff Tweedy, and grew out of her acclaimed singles series of the past 2 years as the songs she hadn’t yet released unexpectedly congealed into an album of tremendous depth and beauty connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.

After The Rainbow Children release and before the release of the One Nite Alone… studio album, Prince embarked on a tour of the same name. However, as opposed to the intimacy of the largely solo One Nite Alone… album, this upbeat trek through theaters in North America featured the full talents of Prince’s ever-expanding New Power Generation band. Members at the time included drummer John Blackwell, keyboardist Renato Neto and longtime collaborators like bassist Rhonda Smith and a horn section that included saxophonists Eric Leeds, Candy Dulfer and Maceo Parker. Taken from the highlights of 9 different shows in March and April of 2002 and clocking in at over 2 hours, the resulting 4 LP collection One Nite Alone…Live! was the first official live album of Prince’s career and the 27 tracks included feature selections from The Rainbow Children as well as Prince’s extensive back catalog, played with the full NPG as well as several solo piano excursions (“When U Were Mine,” “Raspberry Beret,” “Adore,” “The Beautiful Ones,” “Nothing Compares 2 U”). This release marks the first time that it’s available on vinyl.

‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”

Double 180gm vinyl LP pressing housed in gatefold jacket. Originally released in 1994, now remastered and cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format. This album features the singles 'Love Is Strong', 'You Got Me Rocking', 'Out Of Tears' and 'I Go Wild'."

This 2 LP release documents Prince’s mythic late-night after show performances. Never available as physical stand-alone release and only available originally on CD as part of the One Nite Alone box set exclusive to NPG Music Club members, the album features an hour of amazing jams and includes guest appearances by George Clinton and Musiq Soulchild.

Limited orange colored ten-inch vinyl pressing. Following the band's Global Citizen performance, The Rolling Stones have released a new song, "Living In A Ghost Town". This is the band's first new material in eight years. The track was written by Mick and Keith which was created/recorded in Los Angeles and London while in isolation. An official music video showcasing empty cities around the world premiered recently.

Originally released in 1974, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format. Pressed on heavyweight 180g black vinyl, this album features the singles `It's Only Rock `N' Roll (But I Like It)' and `Ain't Too Proud To Beg'.

As the world greeted the promise of a new millennium, even Prince was experiencing a great sense of transformation. In 2000, he announced the reclamation of his birth name after seven years as an unpronounceable symbol. In 2001, after a period of study and debate with his friend and mentor Larry Graham (former bassist for Sly and The Family Stone), Prince converted to the Jehovah’s Witness faith. These transformations bore fruit with the release of The Rainbow Children at the end of 2001. Billed as “controversial” in its press materials for its open spiritual message, the jazz-inspired record was Prince’s first fully independent release, issued without any major label backing. One of its songs, “The Work, Pt. 1,” was released by Prince as a free download on the file-sharing service Napster; this move, along with direct-to-consumer stream and download options on the NPG Music Club, made Prince a digital music visionary. The Rainbow Children is a continued favorite among Prince’s most fervent admirers due to its complex musical narrative, its use of live drums and a full horn section, and the striking album art by artist Cbabi Bayoc, which still hangs in the hallowed halls of Paisley Park today. The CD has long been out of print and the original vinyl was incredibly limited and copies fetch hundreds of dollars. This new double LP vinyl edition comes on limited edition crystal clear vinyl packaged in gatefold packaging along with an exclusive Prince rainbow slipmat.

Prince would follow The Rainbow Children with the stunning One Nite Alone… in May 2002. Featuring almost nothing but Prince’s acoustic piano and vocals (save for occasional rhythm from drummer John Blackwell and the ambient cooing of Divinity and Majesty, Prince’s pet doves), this intimate album offers favorites like “U’re Gonna C Me” and a cover of “A Case Of U,” written by one of Prince’s idols, Joni Mitchell. The original album never had a wide physical release as the CD was an exclusive to Prince’s NPG Music Club members and this marks it’s first time on vinyl.

Originally released in 1981, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format. Pressed on heavyweight 180-gram black vinyl, this album features the singles `Start Me Up', `Waiting On A Friend' and `Hang Fire'.

King Gizzard & The Lizard Wizard have announced Chunky Shrapnel, a new music documentary film and accompanying double-LP live album. The new album features 13 live performances hand-picked from the band’s 2019 UK and European tour, and includes three new musical scores written by Stu Mackenzie that add a magical touch of an alien melancholy throughout the record. Chunky Shrapnel is an experience geared towards not only recreating the energy of a live concert, but creating something tailored and unique to the King Gizzard & The Lizard Wizard.

Chromatica is the highly anticipated 6th studio album by Lady Gaga. Featuring the single “Stupid Love”. LP pressed on milky clear-colored vinyl. Available May 29th.

2020 release. His last album - 2017's The Nashville Sound - a #1 album on the Billboard Folk, Independent, Country and Rock albums charts, also received Best Americana Album at the Grammys, Album Of The Year At The Americana Honors & Awards and was nominated at the CMA Awards for Album Of The Year. Since then, he has collaborated on the soundtrack for A Star Is Born, the debut album by the Highwomen, and Sheryl Crow's latest album Threads. He also released a live album, Live From the Ryman.

Making A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016's Teens Of Denial, is set for release on May 1. The album will be available on vinyl and CD featuring distinct tracklists and mixes for each format. Created over the course of four years, Making a Door Less Open is the result of a fruitful 'collaboration' between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo's alternative persona, 'Trait.' To realize this, the band recorded the album twice: once live with guitars, drums and bass, and once in a MIDI environment using purely synthesized sounds. During the mixing process, the two approaches were gradually combined using elements of each, with additional overdubs.

The project was formed in early 2016, leading to their debut album later that year `Wisdom of Elders'; a document of sessions combining Hutchings with a group of South African jazz musicians he'd long admired.

Rated PG is a collection of Peter Gabriel songs from the movies. Having always loved the combination of film and music (aged 17 he gave up a place at film school to pursue a career in music) Peter Gabriel’s first opportunity to really marry these twin interests came when he was asked to create the music for Alan Parker’s film Birdy in 1985. Further film work, including his music for Martin Scorsese’s The Last Temptation of Christ (that became the album Passion) and the soundtrack to Philip Noyce’s film Rabbit-Proof Fence (released as the album Long Walk Home), has continued to feed that interest. “I have always loved film and any chance I have been offered to work with good film projects and good directors I have jumped at. This is a mixture of songs that have been written for specific films, and existing songs that found an appropriate place in a story. Consequently, there is a mix of different styles and moods.” – Peter Gabriel Alongside those longer soundtrack commissions Peter Gabriel has also regularly contributed songs to a diverse range of movies and Rated PG explores this other connection forged by Peter between his music and film. Rated PG is an opportunity to bring together in one place, for the first time, a selection of songs written especially for, or used to notable effect in, movies and includes new and previously unreleased versions, otherwise unavailable songs and a brand new track. Originally released for Records Store Day in April 2019, where the album was a single LP picture disc in a die-cut sleeve the album is now being released as a CD and standard black vinyl LP. The LP has been half-speed mastered by Matt Colton at Metropolis Mastering and comes as 180g vinyl and a hi-res download code.

Paul Weller’s 15th solo album, On Sunset, is a soul album. At the same time it’s an electronic album, an orchestral album, an album packed with classic pop songs and heart-tugging ballads, and an album filled with touches of experimentalism. It’s also an album that sees Weller taking a rare glance into the rear-view mirror as he speeds into the 2020s.

Stu Larsen has no fixed residence...all he owns is a suitcase. You can find him in his native Australia, in Spain, Japan or South America before he picks up and leaves for his next destination. The Queensland, Australia-born singer-songwriter, and narrator packed up his life in a suitcase and has circled the globe on a near twelve-year and five-continent international trip. He has chronicled this journey through his music, including his newest full-length album Marigold.

Sports Team a band of six singular characters who have been variously described as one of the most raucous, electrifying and chaotic acts in the UK release their debut album Deep Down Happy. The highly anticipated record, is their first release on the legendary Island Records label. Sports Team came up on the back of word of mouth live hype, drawing round the block queues to chaotic early gigs at The Five Bells and Moth Club before releasing any music. Recording their first EP (Winter Nets) in a converted Timberyard in Hammersmith, the band have consistently set themselves apart from the acts they came up playing with, showing an intoxicating ambition, and their debut album Deep Down Happy, delivers on all bold claims, and confirm their place at the head of a group of young guitar acts.They've been defined though by an increasingly cultish fanbase spawned from online community pages, making 1000s of memes, pieces of artwork and crucially turning up wherever Sports Team play - from the bands annual Margate trip (where many of the songs were written) to the living room of the group's shared house, first in Harlesden, now Camberwell. Sessions for Deep Down Happy have been snuck in between huge tours at various London studios, including Konk and Livingston, with long-time collaborator Burke Reid (Courtney Barnett, Rolling Blackouts Coastal Fever) once again at the production desk. Having first worked together on the anthemic Kutcher in 2018, the debut features Reid-produced singles Here It Comes Again, The Races and Fishing while also featuring a re-recording of early single and live favourite Camel Crew - until now, only available on 2018's Winter Nets.

Wavves will be celebrating the 10th anniversary of their album "King Of The Beach" this year with a reissue on "Purple kush vinyl" with alternate art that was originally slated to be the cover but was eventually scrapped. It will come with a bonus 7" featuring two songs from the "KIng Of The Beach" era called "Mutant" and "Stained Glass (Won't You Let Me Into Yr Heart)".

Corb Lund embraces his rich and rustic western heritage with a style that’s unique, honest and resolute, while touching on a range of cowboy themes — from rough-and-tumble tales of lawless frontier saloons, to the sombre realities of running a modern family ranch. As a descendant of many generations of rodeo contestants and ranchers, he sings about a life that he and his ancestors have lived themselves, paired with his quick-witted, wry observations of today’s world. As a result of his heritage and the ten years he spent touring the world with his indie rock band, Corb’s writing resonates emphatically with rural and urban audiences alike. It’s a classic sound with a twist, something of a rarity these days, but one that evokes the spirit of the American West, past and present.

Corb Lund’s 11^th studio album, Agricultural Tragic, finally puts a name to the genre he’s been embodying all of these years.

Enhanced with PlayARt - Augmented Reality

Prior to his untimely passing, Chester personally announced a 2017 Grey Daze reunion on social media. As he never got the chance to launch the reunion himself, his bandmates, friends, family, and various collaborators stepped up to give the music the second chance it deserved, finishing what the late singer started. The musicians—longtime members Sean Dowdell [drums, backing vocals] and Mace Beyers [bass] as well as Cristin Davis [guitar] recruited in 2017—curated eleven tracks from their catalog and rerecorded the music in 2019 to accompany Chester’s original vocals, which comprised many unheard takes from the vault. Released by Tom Whalley’s Loma Vista Recordings and produced by Jay Baumgardner, the result illuminates the prophetic power of an icon on the cusp of one of rock ‘n’ roll’s most significant revolutions and deepens his already venerable legacy in the process.

2020 release. Like a House on Fire is the sixth studio album by British rock band Asking Alexandria. The album was produced by Matt Good. Like a House on Fire shows the group's continuity of a more straight forward and melodic hard rock sound, as established on their previous self-titled fifth album, while also shifting into different genres.

Amy Ray and Emily Saliers are Indigo Girls. Together they write, arrange, record and perform music which and have become a vital part of the lives of their worldwide devoted fanbase. Their first new studio album in 5 years, Look Long is a testament to their storied 40-year career. Produced by John Reynolds at Peter Gabriel's Real World Studio in England. Features 11 brand new tracks, all written by the pair. 2-LP in double-pocket gatefold packaging with poster.

Derrick Hodge is a celebrated composer and bassist who is equally adept on both electric and upright instruments. He is an accomplished session musician who has worked extensively across jazz, cinematic and R&B. New album, Color Of Noize, available on June 26th.

As a salute to the music legend, and celebrating Peggy's landmark 100th birthday, comes a brand new career-spanning collection, Ultimate Peggy Lee. The 22-track album features hits and signature songs including "Fever", "It's a Good Day", "He's A Tramp", "Big Spender", "I'm A Woman" and the previously unreleased "Try A Little Tenderness." Double LP set.

Monovision is the new album from Grammy Award winning artist Ray LaMontagne. This 10 track collection is Ray’s his 8^th studio album, and finds the artist in the multiple roles of songwriter, singer, producer, engineer, as well as performing all the instruments on every track. The first songs to be released as singles from Monovision are “We’ll Make It Through,” and “Strong Enough.”

All of Ray LaMontagne’s albums, including Monovision – show a vast catalog of music where the artist continues to push himself in different directions, yet with a uniquely signature sound that could only be his. Monovision is available on CD, VINYL, and digitally.

Unlike previous albums, Braids decided to stay close to home for the recording of Shadow Offering. Taking over a spacious sound recording studio tucked in an old warehouse, the band were able to slow down and creatively rediscover themselves. 'With this album, we wanted to give ourselves time to achieve a higher caliber of artistry and collaboration,' Tufts says. No longer riding the novelty of youth, the band deliberately took time to recommit to themselves and their craft, and channel new energy into their music. They wrote 40 songs. They went through their Saturn Returns. They learnt how to support one another better. They drank a lot of La Croix. The band sketched and re-sketched new material for eighteen months before lucky circumstance found Chris Walla (Death Cab For Cutie) renting out space in their studio. The four began wandering into each others' rooms, curious about each others' projects. Typically opting for a private and insular creation process, the friendship between the four saw the band sharing their songs with Walla, and naturally resulted in Walla co-producing and engineering Shadow Offering. Pushing the band out of their comfort zone, he at once broke and unified the band's dynamic, unearthing individual creative energy long buried over the years. With a new sense of confidence, listeners will find Braids at their most personal, unabashedly flexing through their new music. A luscious and expansive release, Shadow Offering leads us through a sonic tapestry of narrative. With heart-breaking honesty and precision, listeners traverse a nuanced and complicated world: one full of beautiful contradiction. Although the album directs itself at the failures of people to love and be loved, it also seeks to restore justice and attain blissful union. Its arc crests through the dark towards the light and learns how to dance with the dizzying rhythms of the heart. The songs bubble, sustain, dissolve, expand, retract.

Double LP on red and blue marble (limited to 500 worldwide) in a gatefold with a fold-out poster and free exclusive patch inside.

NCT 127’s 2nd full-length album has been repackaged for ‘Neo Zone: The Final Round’, available on June 12th. Features 17 songs, with the 13 tracks from the original album plus four brand-new tracks. ‘The Final Round’ delivers NCT 127’s ambitious message and music color while bringing high expectations. Both repackaged versions include unique components – one photobook, one folded poster, a postcard (random 1 of 9), a circle card (random 1 of 9) and a photocard (random 1 of 9).

Recorded in Hull, UK in August of last year, MTV Unplugged showcases Liam Gallagher’s solo career highlights alongside Oasis classics in new arrangements featuring backing choir, a string section and more. The MTV special aired globally in September in celebration of the release of his second solo album WHY ME? WHY NOT and includes the solo hits “Wall of Glass” and “One of Us” as well as Oasis’ global smash single “Champagne Supernova”.

Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made "old school" style in just one day in New York in March 2019. "I love these songs", says Scofield of the selection of Swallow compositions explored here. The rapport between Scofield and Swallow is evident in every moment. Behind the drum kit, Bill Stewart, a close associate of Scofield's since the early 90s, is alert to all the implications of the interaction.

“Music has just been a part of my life since I was very young—it's been like my football or my soccer,” says Sammy Brue. “I stopped going to school to do it. Because I thought, If I could put seven hours a day into music, imagine where it's going to take me…”

Imagine, indeed. Since writing his first song at the age of 11, Brue has released three homespun EPs, his New West full-length debut, I Am Nice and a 2018 EP, Down with Desperation. In the process, the Ogden, Utah native has been hailed as an “Americana prodigy” by Rolling Stone and one of the “teenagers shaping pop” by The New Yorker.

But these myriad accomplishments may have just been the setup for what is arguably his finest work to date, Crash Test Kid. Brue has always been an artist seemingly wise beyond his years, but on Crash Test Kid he often gets at the heart of a matter or melody with just a simple but insightful turn of phrase or cleverly-picked guitar.

Go, Just Do It!, Kenny ''Blues Boss'' Wayne's newest album (June 12 on Stony Plain Records), finds the Boogie Woogie Hall of Famer applying his tremendous talent to an energetic recording of top-shelf good time blues. The album is 13 tracks of originals which include Kenny's arrangement of two Percy Mayfield songs and one by JJ Cale.

Showcasing the magnificent horns of Jerry Cook and Vince Mai, harmonica player Sherman Doucette and Grammy-winning vocalist Diane Schuur, the album will also feature Maple Blues winning vocalist Dawn Tyler Watson, Julie Masi of Juno Award-winning group The Parachute Club and Cory Spruell (aka SeQuaL) rappin' on ''I don't want to be the President.''

Legendary blues piano master Kenny ''Blues Boss'' Wayne was inducted on August 9, 2017 into the Boogie Woogie Piano Hall of Fame in Cincinnati, Ohio. He is hailed by Living Blues Magazine for his six-decade career of bringing the piano back to the front ranks of contemporary blues. This Juno Award winner and multi-Maple Blues Award winner is at the forefront of modern day blues piano.

Love, Death & Dancing is British artist Jack Garratt’s highly anticipated upcoming new album. The album contains 12 tracks produced by Jack with additional production on several tracks by Jacknife Lee, long-time friend James Flannigan, and Brett Cox. The album compiles all four individual volumes of Love, Death & Dancing and kicks off with the lead single “Time.” Garratt showcased many of the new songs earlier this year at two special underplays in the US before a UK and European tour in February and March 2020. He’ll also appear at Splendour in the Grass in Australia in July.

Ambrose Akinmusire follows his acclaimed, genre-busting 2018 manifesto, Origami Harvest, with another visionary statement on his new album `on the tender spot of every calloused moment'. The trumpeter examines blackness on an uncompromising set of modern jazz laced with a heavy blues feeling. The album presents 11 new compositions by Akinmusire, featuring his quartet - pianist Sam Harris, bassist Harish Raghavan, drummer Justin Brown - with guest vocals from Genevieve Artadi and Jesus Diaz.

After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second full-length, Sideways to New Italy. Led by singer-songwriter-guitarists Tom Russo, Joe White and Fran Keaney, the guitar-pop five-piece returned home to Australia after the relentless touring schedule that came following their critically regarded 2018 debut Hope Downs. Feeling the literal and metaphorical ground under their feet had shifted, the band began grasping for something reliable. For Keaney, that translated into writing "pure romantic fiction" and consciously avoiding the temptation of angsty break-up songs, while Russo looked north to a "bizarre place" that captured the feeling of manufacturing a sense of home when his own had disappeared. The New Italy of the new album’s title is a village near New South Wales’ Northern Rivers – the area drummer Marcel Tussie is from. A blink-and-you'll-miss-it pit-stop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late-1800s and now serves as something of a living monument to Italians' contribution to Australia, with replica Roman statues dotted like alien souvenirs on the otherwise rural landscape. The parallels to the way the band attempted to maintain connections and create familiarity during their disorienting time on the road was apparent to Russo. "These are the expressions of people trying to find a home somewhere alien: trying to create a utopia in a turbulent and imperfect world." The record's geographic identity emerged from the band losing their grip on their own, whether that was through the pressure of touring, the dissolution of relationships, a frustrating distance from their daily lives – or some combination of all three – that came from being slingshotted all over the world, playing sold-out headline tours and festivals including Coachella, Governors Ball, Primavera Sound, All Points East, and Pitchfork Music Festival. The notion of crafting, in Russo’s words, “a utopia of where your heart’s from,” permeates Sideways to New Italy, in which early attempts at writing big, high-concept songs about The State of the World were abandoned in favor of love songs, and familiar voices and characters filter in and out, grounding the band's stories in their personal histories. There’s something comforting, too, in knowing the next time they’re buffeted from stage to stage around the world, they’ll be taking the voices of their loved ones with them, building a new totem of home no matter where they end up.

The buzz around CHRISTIAN LEE HUTSON started in earnest in 2018 after he began his collaborative friendship with singer Phoebe Bridgers. Hutson co-wrote songs with Bridgers for both the EP of supergroup boygenius (ft. Julien Baker, Phoebe Bridgers, and Lucy Dacus) and her 2019 release with Conor Oberst, Better Oblivion Community Center. The emerging folk artist received further critical attention after Bridgers invited him to Eaux Claires Festival last July, where he performed a solo set and earned praise from festival host Bon Iver. Eventually, Bridgers asked if she could produce an album for him. Engineered and mixed by Joseph Lorge (Blake Mills, Perfume Genius), the forthcoming release also features contributions from Bright Eyes pianist Nathaniel Walcott. To merely call Christian Lee Hutson an old soul would be to deny the vibrancy of his sound. Hutson writes songs that the SF Bay Guardian describes as, "... Foreboding, bluesy love ballads laden with longing nostalgia." Hutson is an avid touring artist and his touring will take him to Austin this Spring for SXSW. For Fans of Phoebe Bridgers, Elliott Smith and Bright Eyes.

The White Buffalo is Jake Smith: singer, song-writer, guitarist, teller of stories; an artist whose voice – an emotive timber-shakin’ baritone – seems directly linked to a greater truth; an artist who will not be swayed by fashion or restricted by genre.  And now, The White Buffalo releases the new studio album, ‘On The Widow’s Walk’ – an 11 song, loosely linked collection of dark thrills produced by Shooter Jennings, who also plays piano and keys. Standard black vinyl.

If there’s one lesson to be gleaned from Jamie Wyatts latest album, Neon Cross, it’s that life goes on. And through it all—good times and bad, dreaming and desperation, there is truth. When it came to capturing that truth on tape, Wyatt had some assistance from Shooter Jennings, who produced Neon Cross. Together, she and Jennings boldly color outside the country lines, taking a wide-lens sonic and stylistic approach to the songs on Neon Cross.

Multi-PLATINUM singer/songwriter Kip Moore’s highly anticipated fourth studio album WILD WORLD will be available May 29. Co-writing 12 of the album’s 13 insightful tracks, he navigates the search to find place and purpose. Throughout the album, that search is revealed in deeply personal terms, with Kip even co-producing the set. The weathered heartland-rock sound Moore has embraced pumps up its emotional volume, recorded live with a full band. CD includes free poster offer, valid thru 12/31/20.

Ghosts of West Virginia centers on the Upper Big Branch coal mine explosion that killed twenty-nine men in that state in 2010, making it one of the worst mining disasters in American history. In ten deftly drawn sonic portraits, Earle and his band the Dukes explore the historical role of coal in rural communities. More than merely a question of jobs and income, mining has provided a sense of unity and meaning, patriotic pride and purpose.

Merritt explains his thinking behind the Quickies concept: “I’ve been reading a lot of very short fiction, and I enjoyed writing 101 Two-Letter Words, the poetry book about the shortest words you can use in Scrabble. And I’ve been listening to a lot of French baroque harpsichord music. Harpsichord doesn’t lend itself to languor. So I’ve been thinking about one instrument at a time, playing for about a minute or so and then stopping, and I’ve been thinking of narratives that are only a few lines long.

Prolific singer-songwriter Ashe continues to build on her electrifying momentum in 2020, after her hit single, "Moral Of The Story” was featured in the Netflix hit sequel "To All The Boys...PS I Still Love You”. The track features contributions from grammy award winning producer FINNEAS and lyrical contribution from Billie Eilish. Since then, the track accumulated over 75 million streams (3.5 million per day) in less than a month, landed on 54 Spotify viral charts and 758K Shazams. The track was added to Spotify’s largest pop playlist Today’s Top Hits (25M followers) and Apple’s Today’s Hits. “Moral of the Story” is impacting pop and alternative radio now with early adds from iHeart USA, KYSR Los Angeles, Entercom USA, KITS San Francisco, National SiriusXM and Alt Nation. This summer Ashe will be performing in 20K capacity venues alongside AJR, Quinn XCII and Hobo Johnson. For the first time ever, the 2-part EP Moral of the Story: Chapters 1 & 2 will be pressed on exclusive yellow vinyl. 

Produced by Mike Mogis (Bright Eyes, Conor Oberst, First Aid Kit) I’ll Get By, Avi Kaplan’s new 7-track EP firmly establishes the renowned bass vocalist as a generational songwriting talent in the mold of inspirations such as Fleet Foxes, Hozier and Iron and Wine. I’ll Get By is an absorbing introduction to an artist with a timeless voice, an independent spirit and a limitless future. Indie exclusive LP pressed on black ice-colored vinyl.

Los Angeles-based guitarist, composer, and producer Blake Mills announces forthcoming album Mutable Set. Much of the material was co-written with acclaimed singer-songwriter Cass McCombs, and this is Mills' first album of solo music with lyrics since 2014's "Heigh Ho" and second release under New Deal Records / Verve Label Group.

Born in Cleveland, Ohio to Russian parents, Alina Baraz has been around music all her life. With both parents having classical training, she was destined to find her voice through music. Almost immediately after the release of her first single, “Roses Dipped in Gold” at age 19, Baraz and her family moved to Los Angeles to pursue her career as a singer/songwriter full time.

In 2015, Baraz released her debut project, Urban Flora. The acclaimed project was praised by the Guardian, NPR, Huffington Post, Harpers Bazaar and many more, and sat on Billboard’s Top Dance/Electronic Albums chart for over 125 weeks, peaking at #2.

In January of 2017, she released the viral single “Electric” ft. Khalid, which has been streamed over 190M times and counting. In 2018 she released The Color of You, enlisting Grammy-nominated producer Robin Hannibal (Kendrick Lamar, Calvin Harris, Cee Lo Green) to help produce the project.

Baraz has been in the works of a special project, coming in Spring of 2020.

Following up the Grammy nominated album "Run Home Slow", Australian soul band The Teskey Brothers are back with their new live album "Live at The Forum" out 5/22. The album was recorded on tape during their two day residency at the iconic Forum Melbourne in Australia this past November. Opaque Blue Vinyl. Polybag. Gatefold Sleeve.

Nonesuch Records releases I Still Play, an album comprising eleven new solo piano compositions written by artists who have recorded for the label. The pieces were written in honor of the label’s longtime President Bob Hurwitz on the occasion of his 2017 shift into the Chairman Emeritus role after running the label for thirty-two years. I Still Play features works by John Adams, Laurie Anderson, Timo Andres, Louis Andriessen, Donnacha Dennehy, Philip Glass, Nico Muhly, Brad Mehldau, Steve Reich, Pat Metheny, and Randy Newman. The pieces have been recorded by Andres and fellow Nonesuch artist Jeremy Denk, as well as by Mehldau and Newman themselves.

Sleaford Mods are set to continue their onslaught into 2020 with the release of All That Glue, a collection of songs spanning the last seven years of the bands career; an array of crowd pleasers, B sides, unheard tracks and rarities for fans and the curious, released via Rough Trade.

Hamilton Leithauser has proven himself as a master collaborator and solo artist throughout his nearly 20 year career. Following his time as the frontman of the Walkmen, Leithauser released the critically acclaimed collaboration with Rostam "I Had a Dream That You Were Mine" in 2016. The album debuted at #1 on Billboard's Heatseekers Chart, #1 New Artist Album, and was named one of the Year's Best by Pitchfork, Esquire, NPR, and more. His latest work and second solo record "The Loves of Your Life" is set to be released on April 10, 2020. It was written and produced by Hamilton in his home studio and is a collection of stories about real people he's met over his years living in New York City.

2020 release. Streamed over 1.5 billion times, and triumphant on stage everywhere from Governors Ball to Austin City Limits, Two Feet upholds a powerful connection to the crowd on his full-length debut, Pink. He initially made his mark on the 2016 viral, platinum-certified smash "Go F*** Yourself". Now, Two Feet sells out shows worldwide. Pink illuminates the full scope of his signature sound, hinting at more to come.

Set My Heart On Fire Immediately is the fifth studio album from Perfume Genius that will be released May 15th on Matador Records. It sees artist and musician Mike Hadreas re-teaming with GRAMMY-nominated producer Blake Mills and features contributions from musicians Jim Keltner, Pino Palladino and Matt Chamberlin. It was recorded in Los Angeles, where Perfume Genius settled in 2017 with longtime partner and musical collaborator Alan Wyffels. 'I wanted to feel more open, more free and spiritually wild,' says Hadreas, 'and I'm in a place now where those feelings are very close-- but it can border on being unhinged. I wrote these songs as a way to be more patient, more considered -- to pull at all these chaotic threads hovering around me and weave them in to something warm, thoughtful and comforting.'

This Indie exclusive LP of Ruston Kelly's Dirt Emo vol. 1 is pressed on opaque baby pink-colored vinyl and features a numbered poster inside. To quote Ruston: "I don't play country, this stuff is dirt emo it's like crying in a barn or anguishing in your room with a banjo." The project includes acclaimed renditions of Taylor Swift's "All Too Well" and the Carter Family's "Weeping Willow," showing the full spectrum of material, solidifying Ruston as the Father of Dirt Emo.

The new self-titled EP from Colton Dixon featuring hit single “Miracles”. 

WILL THIS MAKE ME GOOD is a question Nick Hakim has asked himself since he was young and struggling in school; a reflection of what's happening in his head as he sorts through his life and the tumult around the globe. WILL THIS MAKE ME GOOD articulates a sense of confusion alongside a desire for hope and clarity. The album was produced by his longtime collaborator Andrew Sarlo (Big Thief, Bon Iver), who also produced Hakim's breakthrough debut "Green Twins". CD in 4-panel softpak with booklet.

Between The Buried And Me is the self-titled first studio album by the GRAMMY-nominated progressive metal five-piece. Formed in 2000, the band originally released this album with Lifeforce Records in 2002 and soon after gained the attention of iconic Chicago-based record label Victory Records. Victory signed the band and re-released the record as an enhanced CD in 2004. Described as “one of the fiercest albums in the hardcore community” by AllMusic, this formative album set the band up to be a key player in the evolving hardcore scene. While the album was praised for its brave blend of mathcore, grindcore and death metal elements into their already unique sound, the lyrics also set them apart from their peers. The band addressed their thoughts on controversial topics ranging from politics to organized religion – issues not often addressed in this music scene at this time. This pressing has been newly remixed and remastered to commemorate the band’s 20th anniversary.

Lamentations is a 10-song rumination on the current state of the world around me. I was raised in the faith and the book of Lamentations was always one that caught my attention. A broken man crying out to the heavens, asking why God sat back and let his country fall apart. Questioning the sheer existence of a higher power in the lowest of times. How could an all loving God sit back and let an entire nation’s cry for help go unanswered? I saw many parallels in that story and the current climate of this country in 2020. There are a large group of people who were promised something in 2016. They are still waiting for those promises to be fulfilled. This is a record about the things that break people. Religion, politics, addiction, love, money, family, history. I believe it is an empathetic look at the other side. A group of stories about losing everything and still finding the will to stand back up and fight for the things that matter the most.  - BJ Barham

Hayley Williams hugely anticipated debut solo album Petals For Armor arrives via Atlantic Records on Friday, May 8th. Produced by Taylor York – Williams’ lead collaborator in the GRAMMY® Award-winning Paramore – the album was heralded earlier this month by the acclaimed first single, “Simmer”. The smoldering track arrived alongside its own Warren Fu-directed video, providing a compelling first chapter to a continuing storyline.

Vinyl LP pressing. When considering any great work of art, be it a painting, a novel, or a piece of music, it's natural to wonder what might have inspired it. Mark Lanegan's 2020 album, Straight Songs Of Sorrow, features guest appearances from Greg Dulli, Warren Ellis, John Paul Jones, Ed Harcourt and more, These 15 songs are inspired his life story, as documented in his new memoir, Sing Backwards And Weep. The book is a brutal, nerve-shredding read, thanks to Lanegan's unsparing candor in recounting a journey from troubled youth in eastern Washington, through his drug-stained existence amid the '90s Seattle rock scene, to an unlikely salvation at the dawn of the 21st century. There's death and tragedy, yet also humor and hope, thanks to the tenacity which impels it's host, even at his lowest moments. Today, Lanegan is a renowned songwriter and a much-coveted collaborator, as adept at electronica as with rock, constantly honing his indomitable voice: an asphalt-laced linctus for the soul. While the memoir documents a struggle to find peace with himself, his album emphasizes the extent to which he came to realize that music is his life.

In early 2016, D.C. punk legends Brian Baker (Minor Threat, Dag Nasty, Bad Religion) and Michael Hampton (S.O.A., Embrace, One Last Wish) met up at Hampton's Brooklyn home to play music together. Friends since first grade, the two guitarists ended up writing a handful of songs that day, then closed out the session with a spur-of-the-moment decision to start a band. When it came to finding a bassist, Baker and Hampton looked to Johnny Temple of Girls Against Boys and Soulside (another fellow student at their elementary school), who equally shared their passion for what Temple refers to as "loud, angry, visceral music." By the end of the year, the band had enlisted Refused frontman Dennis Lyxzén as their singer, thus cementing the lineup to punk-rock supergroup Fake Names.Soon after dubbing themselves Fake Names-a moniker that's part Raising Arizona reference, part recognition of the "ubiquitous and demonic use of the term 'fake news,'" according to Baker-the band headed to Renegade Studios with the goal of creating a demo to present to record labels. But after playing those recordings for Baker's Bad Religion bandmate Brett Gurewitz, the Epitaph founder made an unexpected proposal. "Brett said to us, 'This isn't a demo, this is the album,'" Baker recalls. "He was pretty adamant about putting it out exactly as it was, so that's what we wound up doing."

Double vinyl LP pressing. 2020 release. Louis Prince is the moniker of Orange County, CA artist Jake McMullen, and serves as the new platform for his debut record, Thirteen. Pushing back against the modern convention of singles-based releases, Thirteen is an album in the classic sense, with a beginning, middle and end and a central theme. Exploring the human struggle of fear in the face failure and the role of friendship in maintaining sanity, Thirteen in a search for catharsis in the midst of the madness, the sadness and the hope of life.

With a sound that recalls Country music's acid washed golden era, the '90s influenced band Hot Country Knights has finally revealed more details about their debut album THE K IS SILENT, from Capitol Nashville, available May 1st. Produced by Dierks Bentley, the multi-Platinum entertainer also serves as a co-writer on over half of the 10 brawny tracks, serving up one of the most musically satisfying debut albums since 1999. Standout track "You Make It Hard" best represents their High-T philosophy.

2020 release. They've been compared to tornadoes, firecrackers, and lightning storms, and described as genuine, unapologetic, and down-to-earth. And Alex Luciano and Noah Bowman of gutsy rock duo Diet Cig are excited to announce their sophomore full-length, Do You Wonder About Me? The album is the follow-up to 2017's Swear I'm Good At This. The album marks a more intentional, self-assured Diet Cig; not only in Luciano's radically intimate, acerbic lyrics, but in the duo's sound as well. Luciano and Bowman moved to Richmond, VA in the summer of 2017 as a place to "hide out and make music," and it was there that they wrote Do You Wonder About Me?, Diet Cig's ode to growing up.

Polish death metal legends Vader have returned with their 16th studio album, Solitude in Madness. Never one to rest or relax, Vader have done it all over the course of their 37-year history. From playing super-aggressive thrash under the watchful eye of Communist Poland, signing a worldwide deal with popular UK indie Earache Records to touring the globe-after the dissolution of the Warsaw Pact in 1991, of course-and enjoying a near-maniacal fanbase, there's no stopping the Piotr "Peter" Wiwczarek-led outfit. Proof of that lies in the exceptionally great Solitude in Madness, where speed and power are back as the driving factors in Vader's fiendish yet proficient death metal.

'The man singing these songs isn't exactly the same man who wrote them,' says Pokey LaFarge of Rock Bottom Rhapsody, his eighth and latest studio release. 'This album is about the story of who I used to be.' In early 2018, LaFarge ' searching for the sort of artistic freedom and inspiration he wasn't finding in the Midwest ' relocated from his longtime home base of St. Louis, Missouri, to Los Angeles, California. New songs came quickly to LaFarge in his new environment, but new temptations soon found him, as well. Though he declines to get into specifics, LaFarge admits that he experienced a significant 'fall from grace' during the last months of 2018. 'Things sort of started to unravel in my mind,' Shortly before the recording of Rock Bottom Rhapsody began, LaFarge experienced a spiritual awakening ' and the faith he re-embraced in his hour of darkness helped to buoy him through the making of the album. Though he was struggling for spiritual equilibrium at the time, LaFarge at least had some rock-solid musical support to lean on. Recorded primarily at Reliable Recorders on Chicago's Northwest side, Rock Bottom Rhapsody was produced by LaFarge's friend and collaborator Chris Seefried (who also co-wrote several of the album's tracks), and features the considerable talents of guitarist Joel Paterson, keyboardist Scott Ligon, upright/electric bassist Jimmy Sutton, and drummer Alex Hall. Musically, LaFarge continues to mix and match a wide variety of styles and traditions, while never losing track of his own vision This record is kind of like Roy Orbison and Bob Dylan hanging out with chanson singers and French jazz bands in like the forties, but I was never trying to make it sound like a particular person. Despite the trying period that preceded its recording, Rock Bottom Rhapsody is ultimately far more uplifting and life-affirming than its title would suggest. 'That desperation, that struggle,' LaFarge ponders, 'Did it add something to the record? It certainly did. I mean, I don't know if it made it better; it just is what it is. It's not up to me to decide if people are going to feel that'